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  • Tracking the NetArtist: Franz FischnallerComment:
  • "The Living Room" is an intelligent, interactive image, sound and voice environment. It becomes "alive" and starts to "sense" when users enter and interact with this room. Like in a perfect surveillance system all sounds, voices, gestures and
  • Paranoid Mirror -
    This piece was inspired by the paintings of Van Eyk and in particular the "Marriage of Arnofini". This piece uses reflection as a means of portraiture and reflected self portraiture. Though obscured and distanced, the artists reflection watches from
  • STANDARDS AND DOUBLE STANDARDS is an interactive installation that consists of fifty fastened belts that are suspended at waist height from servo motors on the ceiling of the exhibition room. Controlled by a computerized tracking system, the belts
  • Plasm: A Nano Sample -
    A large, empty room becomes the portal into an alternate universe, explored via two monitors pushed about on rolling stands. When viewed through the screen of each exploratory vehicle, clouds of passive brass flakes are swirled and grasped by unseen
  • Eye contact - video
    Eye Contact is the first piece of the Shadow Box series of interactive displays with a built-in computerized tracking system. This piece shows eight hundred simultaneous videos of people lying down, resting. As soon as a public member is detected,
  • Scarlet(t) -
    This work uses a feature tracking algorithm to extract Scarlett Johanssen’s iconic lips from the costume drama “Girl with a Pearl Earring”. Extracting this one signifier, Scarlett’s mouth, wrenches the true subject of the movie – her lips, and their
  • Fischnaller, Franz. Tracking the Net In Fleshfactor, Ars Electronica Festival ´97, , 137-138. : 1997.
  • Fischnaller, Franz. Tracking The Net, Interactive Art In IX Festival internacional de video y multimedia de Canarias, Mediafest, edited by Canarias Mediafest, 123-128. Canarias, Spain: 2000.
  • Fischnaller, Franz. Tracking the Net In Ars Electronica ´99: Life Science, , 348-349. : Vienna and New York, 1999.