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  • Strom, Jordan. Shifting Perspectives: Sylvia Grace Borda. Vol.https://www.surrey.ca/arts-culture/surrey-art-gallery/gallery-publications/exhibition-catalogues/shifting-perspectives. Canada: Heritage House Publishing and Surrey Art Gallery, 2020.
  • Strom, Jordan. Shifting Perspectives: Sylvia Grace Borda. Vol.https://www.surrey.ca/arts-culture/surrey-art-gallery/gallery-publications/exhibition-catalogues/shifting-perspectives. Canada: Heritage House Publishing and Surrey Art Gallery, 2020.
  • Media Forum 2001 -
    Media Forum is now in its second year which is certainly no anniversary. However, this brings its organizers both a great happiness and some significant difficulties. We are happy because the pilot issue of the Media Forum 2000 programme claims now
  • Strom, Jordan. Shifting Perspectives: Sylvia Grace Borda. Vol.https://www.surrey.ca/arts-culture/surrey-art-gallery/gallery-publications/exhibition-catalogues/shifting-perspectives. Canada: Heritage House Publishing and Surrey Art Gallery, 2020.
  • Strom, Jordan. Shifting Perspectives: Sylvia Grace Borda. Vol.https://www.surrey.ca/arts-culture/surrey-art-gallery/gallery-publications/exhibition-catalogues/shifting-perspectives. 1 th ed.Canada: Heritage House Publishing and Surrey Art Gallery,
  • Max Hattler. Publications http://www.maxhattler.com/texts/.
  • The Four Senses was a series of multi-sensory concerts performed at the Dorothy Winstone Theatre in Auckland in 2002. It built upon two 1999 events - one conceptualised and realised by New Zealand artist Raewyn Turner and one that was created by
  • medi@terra 2006 -
    medi@terra festival dedicates its 7th edition to videogames and the crucial role they play in today’s digital culture. The fields affected by videogames have multiplied, forming a platform with numerous applications in different areas of reality:
  • ABANDON NORMAL DEVICES FESTIVAL OF NEW CINEMA AND DIGITAL CULTURE Abandon Normal Devices (AND) welcomes audiences to experience the best in new cinema and media art in a celebration that spills from screens and galleries into the streets and
  • My bodies of investigative works, primary titled overall as SoundScapes and ArtAbilitation, sits between researching cross-informing art (interactive multimedia installations e.g. MoMA and performance art using invisible sensing technologies of