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(Inter-)actio=Reactio?
1996
Coy, Wolfgang. (Inter-)actio=Reactio? In Interaktiv - Im Labyrinth der Wirklichkeiten, edited by Wolfgang ZachariasBonn/ Essen: Kulturpolitische Gesellschaft / Klartext Verlag, 1996.
Mary Flanagan
Known for her theories on playculture, activist design, and critical play, Mary Flanagan has achieved international acclaim for her novel interdisciplinary work, her commitment to both theory and practice, and her ongoing pioneering contributions to
Brenda Laurel
Brenda Laurel is a designer, researcher and writer. Her work focuses on interactive narrative, human-computer interaction, and cultural aspects of technology. Her career in human-computer interaction spans over twenty-five years. She holds an M.F.A.
Contemporary Art Ruhr - media art fair
2014
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2014
This media art fair is hardly commercial. It is hosted by the Folkwang University of the Arts at Zollverein in Essen.
Featured Artist Claudia Robles-Angel
07/2021
.. explore the potential of the human body to be an audio-visual instrument ..
Interaktiv – Das Labyrinth der Wirklichkeiten
1996
Zacharias, Wolfgang, ed. Interaktiv – Das Labyrinth der Wirklichkeiten. Vol.1. ISBN 3-88174-198-4, Edition Umbruch. th ed.Essen: Klartext Verlag, 1996.
"50 YEARS OF ELECTRONIC MUSIC AND AUDIOVISUALS ATTHE FOLKWANG UNIVERSITY OF THE ARTS"
2021
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2021
Event: "50 YEARS OF ELECTRONIC MUSIC AND AUDIOVISUALS ATTHE FOLKWANG UNIVERSITY OF THE ARTS"Institution: Folkwang University of the Arts EssenComment:
Turbulence, Interactive Museum of Unnatural History
1994
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1995
What would life be like if it were made from computer algorithms rather than flesh and blood? Artificial Life is the name given to the simulation of natural forms and processes using materials other than those found in nature. It is not so much a
bubbles
1998
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2000
Interacting with virtual bubbles is quite simple...you just walk in front of the projectors light beam and cast your shadow onto the projection screen. The bubbles will recognize this shadow and bounce off its outlines, at the same time emitting
Dialogical Drawing
1994
What is the condition of the art object in the age of networking and telematics? The piece entitled Dialogical Drawing, 1994, by Eduardo Kac, addresses this question by presenting two identical objects simultaneously at two distinct exhibition
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