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Cyernetics and the Pioneers of Computer Art
2016
Dreher, Thomas. Cyernetics and the Pioneers of Computer Art Lecture Sprengel Museum Hannover.
Sackgasse oder Pionierarbeit
1994
Kitzmantel, Silvia. Sackgasse oder Pionierarbeit Oberösterreichische Nachrichten (June 25th 1994).
Das Pionierarchiv der Medienkunst: Virtualart.at
2009
Grau, Oliver. Das Pionierarchiv der Medienkunst: Virtualart.at Kunstgeschichte aktuell 1, no. 9 (2009): 8.
Pioniere Interaktiver Kunst von 1970 bis heute: Myron Krueger, Jeffrey Shaw, David Rokeby, Lynn Hershman, Grahame Weinbren, Ken Feingold
1997
Dinkla, Söke. Pioniere Interaktiver Kunst von 1970 bis heute: Myron Krueger, Jeffrey Shaw, David Rokeby, Lynn Hershman, Grahame Weinbren, Ken Feingold. Edition ZKM Karlsruhe, Ostfildern-Ruit: Hatje Cantz, 1997.
Pioniere Interaktiver Kunst von 1970 bis heute
1997
Dinkla, Söke. Pioniere Interaktiver Kunst von 1970 bis heute. Edition ZKM, Ostfildern-Ruit: Hatje Cantz, 1997.
Avec Piotr KOWALSKI
2011
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2011
Event: Avec Piotr KOWALSKIInstitution: Ecole des Beaux Arts de RouenComment:
Wro Art Center - Wroclaw (Poland) / "zielony labirynt" / Curator : Piotr Krajewski
2014
Event: Wro Art Center - Wroclaw (Poland) / "zielony labirynt" / Curator : Piotr KrajewskiInstitution: Ars Electronica Linz GmbH & Co KGComment:
Data Arcade
2009
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2010
Data Arcade contains three games: Stock Invaders, Pipe Mania and Oil Kong. They are derived from famous existing games. Nideffer adds political and economic issues.
NOMAD: THE RIVER
2005
Nomad: The River is a 60 minute dance theater work created in collaboration with Chinese born, New York-based choreographer Yin Mei. The work is a haunting evocation of the choreographer's experience growing up in the political hysteria of the
Vademecum digitaler Kunst, Söke Dinkla: Pioniere Interaktiver Kunst bis heute
1998
Grau, Oliver. Vademecum digitaler Kunst, Söke Dinkla: Pioniere Interaktiver Kunst bis heute In Jahrbuch computer art faszination, edited by Gerhard Dotzler, 275-276. Frankfurt/Main: Dr. Dotzler Medieninstitut Verlag, 1998.
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