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Last Words
2003
video
Short excerpt from the 2003 appropriation piece "Last Words," created by pioneering Chinese video artist Zhang Peili and showcased here by Saamlung, one of his collaborating spaces.
Dump au mètre
2010
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2010
Speaking of possible artistic careers, we can imagine a person devoting his life to designing highly symbolic wallpaper. The surface of the earth and its symbolic appropriation become more important than the substance, and we can imagine producing
Glume
2004
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2005
Glume is a computationally enhanced translucent modeling medium which offers a generalized modular scalable platform with the physical immediacy of a soft and malleable tangible material. The Glume system consists of soft and translucent
Avidya: Non-Knowledge Production in the scene of Visual arts Practice
2001
Maharaj, Sarat. Avidya: Non-Knowledge Production in the scene of Visual arts Practice In Education, Information, Entertainment - Current Approaches to Higher Artistic Education, edited by Ute Meta BauerVienna: Selene Verlag, 2001.
Image Science & MediaArtHistories: New Infrastructures for 21st Century Digital Humanities
2011
Grau, Oliver. Image Science & MediaArtHistories: New Infrastructures for 21st Century Digital Humanities In Mind and Matter: Comparative Approaches towards Complexity, edited by Günther Friesinger and Johannes Grenzfurthner and Thomas Ballhausen,
Roaming
2007
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2007
This experimentation starts from appropriation of small chips present inside those mobile phone charms that light up when a call comes in. In a panel, light is literally launched to the invisible radiation that comes from the mobiles and invades our
Computers and Appropriation Art: The Transformation of a Work or Idea for a New Creation
1996
Schwartz, Lillian F.. Computers and Appropriation Art: The Transformation of a Work or Idea for a New Creation Leonardo 29, no. 1 (1996): 43-49.
Fusion Critique, appropriation de l’espace public, Workshop,
2011
Event: Fusion Critique, appropriation de l’espace public, Workshop,Institution: National School of Fine ArtsComment:
Appropriation artistique des systèmes d’information globaux
2009
Event: Appropriation artistique des systèmes d’information globauxInstitution: H2PTM, université Paris 8Comment:
transferring, storing, sharing, and hybriding: Text_version
2011
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2016
video
transferring, storing, sharing, and hybriding: Text_version, 2011 The digital-information-storage inheritance of generations and nations: I have considered all the possible scenarios of events as large databases and reality as a process of
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