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  • Art seeks diverse ways of understanding reality. Kiasma’s international exhibition ARS 06 focuses on meaning of art as part of the reality of our time. The subtitle of the exhibition is Sense of the Real. The human experiences like joy and sorrow
  • Halo
    Interactive digital video projection environment 30 x 10 x 12 metres 4 large scale video projections, colour, multi-channel interactive sound In collaboration with Sarah Rubidge (choreography) and Stuart Jones (sound) Produced by Film and
  • Jamieson, Helen Varley. Digital Mobility / Mobile Thinking In Mobility in Culture: Conceptual Frameworks and Approaches, edited by Dea Vidović and Nancy DuxburyVol.1. , 108-127. : i-Portunus Houses, 2022.
  • Short excerpt from the 2003 appropriation piece "Last Words," created by pioneering Chinese video artist Zhang Peili and showcased here by Saamlung, one of his collaborating spaces.
  • Dump au mètre -
    Speaking of possible artistic careers, we can imagine a person devoting his life to designing highly symbolic wallpaper. The surface of the earth and its symbolic appropriation become more important than the substance, and we can imagine producing
  • Glume -
    Glume is a computationally enhanced translucent modeling medium which offers a generalized modular scalable platform with the physical immediacy of a soft and malleable tangible material. The Glume system consists of soft and translucent
  • Maharaj, Sarat. Avidya: Non-Knowledge Production in the scene of Visual arts Practice In Education, Information, Entertainment - Current Approaches to Higher Artistic Education, edited by Ute Meta BauerVienna: Selene Verlag, 2001.
  • Grau, Oliver. Image Science & MediaArtHistories: New Infrastructures for 21st Century Digital Humanities In Mind and Matter: Comparative Approaches towards Complexity, edited by Günther Friesinger and Johannes Grenzfurthner and Thomas Ballhausen,
  • Roaming -
    This experimentation starts from appropriation of small chips present inside those mobile phone charms that light up when a call comes in. In a panel, light is literally launched to the invisible radiation that comes from the mobiles and invades our
  • Schwartz, Lillian F.. Computers and Appropriation Art: The Transformation of a Work or Idea for a New Creation Leonardo 29, no. 1 (1996): 43-49.