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  • Ben Rubin is a media artist based in New York City. In 1993 he founded EAR Studio and in 2007 Mark Hansen joined him as creative partner. He has a BSc in Computer Science from Brown University and received an MSc in Visual Studies from the
  • Couffignal, Louis. Que peut apporter la cybernetique a la pedagogie Cybernetica (International Association for Cybernetics) No. 1 (1964).
  • Tseng, Jane. The Birth of Eve Clone - Technological Satire of a Genetic Reproduction Laboratory Art Appreciation (2011): 61-63.
  • Migrations -
    A web of relationships through the displacement of the visitor's body in the room space, apprehending the moving figures of the tapes embedded in the columns and the frozen figures of frames from the video "migrações", which are gradually enlarged
  • Massumi, Brian and Rafael et. al. Lozano-Hemmer. Urban Appointment: A Possible Rendezvous With The City In Making Art of Databases, edited by Joke Brouwer and Arjen Mulder, 28-55. Rotterdam, NL: V2_ Publishers, 2003.
  • "Thanks Tails" are tails for cars. An organ which express appreciation. To make it easier to understand, it is not expressed by language but by the gesture of tails of dogs. I consider this as an art work only when this is manufactured. This
  • DOMINGUES, DIANA MARIA G. Prefácio: Criatividade e arte no uso do smartphone In Arte_comunicação_móvel: criatividade e arte no uso do smartphone, edited by Tiago Franklin Rodrigues Lucena, 13-19. Curitiba: Appris, 2017.
  • Surveillance technology, robotics and computers all feature in the work of Mexican-Canadian artist Rafael Lozano-Hemmer. As you enter the exhibition space, overhead cameras track your movements, triggering a reaction -- in one room rows of white
  • Poetry is the art of the word, but it can also be the art of human restlessness before the limits of language. So, it is expected that poets seek to extrapolate the conventional domains of verbal dynamics. One of the ways to do this is to approach
  • Ray, Tom. An Evolutionary Approach to Synthetic Biology: Zen and the Art of Creating Life Artificial Life (1997): 179-209.