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To mark the start of the new decade, the European Media Art Festival presented a review of German experimental film and video art production from the 1980s, offering viewers the opportunity to see familiar works again and to perhaps rediscover and

This year, EMAF took a look beneath the "surface" and shed light on the handling of media from a variety of perspectives. No- und low-budget productions from the independent scene met films and videos produced with commercial cinema and

In contrast to the tendency perceived in previous years, an increase in film entries and the trend towards longer, more complex contributions in the film area became noticeable in 1992. In addition to presenting the Russian filmmaker Vladimir Kobrin

VIDA Art and Artificial Life International Awards

VIDA Art and Artificial Life International Awards

VIDA Art and Artificial Life International Awards

VIDA Art and Artificial Life International Awards

VIDA Art and Artificial Life International Awards

In a time characterised by the loss of utopia and by major social and political change, creativity was called for – this was where artistic and philosophical concepts became increasingly important for creating new perspectives. Not the answer, but

In 1996, the festival was still held in September, unlike later, when it was traditionally held in spring. This year, the film programme was put together in cooperation with the Swiss Film, Video and Multimedia Festival VIPER. It presented