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  • The Able Skin -
    "The Able Skin" is a media structure designed by architect Emilio López-Galiacho to hide any emblematic building that is not allowed to have a natural death, that is kept alive artificially through restoration, citation and simulation. A virtual
  • NOMINATION EXHIBITION with the contribution of 15 NOMINATORS, nominating 102 YOUNG CHINESE MEDIA ARTISTS that became part of ON THE ROAD Archive. 32 MEDIA ART INSTALLATIONS Guan Shanyue exhibition. Guan Shanyue Museum Shenzhen Co-organised by the
  • Medidas de emergencia -
    Medidas de emergencia puts on display Antoni Abad’s (Lleida, 1956) artistic evolution in regards to the use of new media. In this case, the tour passes from sculptural practice to video. Experimentation with media does not mean the abandonment of
  • Event: Le Fresnoy, Studio National des arts contemporains, Tourcoing, France, “Panorama”Institution: Le Fresnoy Comment:
  • Event: Le devenir de l’A.M.E., la réalité virtuelle comme écosystème pour la création artistiqueInstitution: Couvent de La TouretteComment:
  • Paterson, Nancy. Lust and Wanderlust: Sex and Tourism in a Virtual World Art and Cyberculture, Media Information Australia 69 (August 1993): 7-12.
  • Matt Pyke (b. 1977, UK) formed the multi-disciplinary design studio Universal Everything after many years with seminal design agency The Designers Republic. Universal Everything features an ever-growing network of programmers, artists, designers and
  • Turbulence, org. Dubious Views: Questioning Institutional representations in tourism and cartography Turbulence.org June 18, 2007 (June 2007).
  • Alenka Domjan (ed.) and Andreja Rakovec. : Epilogue – space, body and media in transition Novo Celje Mansion, 26. 5. – 1. 10. 2017. Žalec: Institute for culture, sport and tourism Žalec (2017).
  • Golden Nuggets -
    Intervention At the bottom of the Silvretta reservoir dam unfolds a landscape that is touristically barely developed. Stones rupture the alpine turf. Some of these stones were gilded in the artist's studio, shown in exhibitions and later returned to