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  • Excavate video
    developed for The View Contemporary Art Space Swizerland EXCAVATE consists of a magic lantern from the 1920ies that was transformed into an interactive installation. The project was developed for a military shelter from the cold war in the area of
  • The anagrammatical body and his medial construction -
    In der Kunst des 20. Jahrhunderts wurde die Kategorie des Schönen einem radikalen Wandel unterworfen. Das vertraute klassische Schönheitsideal, insbesondere der ideale schöne athletische Körper in der Nachfolge der Antike, wurden vom Diskurs der
  • Hidden -
    video graphics works Censorship is totally integrated into information production and distribution. In the photographic series Hidden, gore and zoophile images have been randomly integrated into the censored image. But censoring the images increases
  • Water Totems -
    Air-inflate tubes printed with water imagery were floated as vertical columns in the Sloterplas lake in Amsterdam.
  • ‘Totes Haus Ur or the Dislocation of Intimate Space’
    Nils Jean. ‘Totes Haus Ur or the Dislocation of Intimate Space’ Mute Magazine (October 2010).
  • Photographers Create First Artworks in Google Street View
    Arva-Toth, Zoltan. Photographers Create First Artworks in Google Street View Digital News: Photography (October 2013): http://www.photographyblog.com/news/photographers_create_first_artworks_in_google_street_view/.
  • Landscape One -
    ... of relationship. The exchange may be cut short with...
  • One-person Touchscreen Cinema Showing 14 Interactive Movies -
    This collection of experimental interactive movies, made by the artist over several years, shows live-action works in which the visual metaphors for interaction are inherent in the filmic material. Because the movies are conceived from a visual
  • interskin -
    ... to convey, exchange and receive information....
  • Vanishing Body -
    A work to lead spectator to a position of a performer. An installation for an exhibition "De-Genderism" at Setagaya Museum, Japan. When you enter the semicircle room (devided into two rooms by a screen), you are asked whether to enter with your
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