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“Online performances mit UpStage” – chapter in Video: Wiedergabe, Bearbeitung und Streaming unter Linux, ed. Nils Magnus and Torsten Spindlerr
2005
Jung, Patricia and Helen Varley Jamieson. “Online performances mit UpStage” – chapter in Video: Wiedergabe, Bearbeitung und Streaming unter Linux, ed. Nils Magnus and Torsten Spindlerr. Germany: Open Source Press, 2005.
Susana Pérez Tort, “Multimedia Semiotics of two works of art”
2010
Susana Pérez Tort. Susana Pérez Tort, “Multimedia Semiotics of two works of art” “Multimedia Semiotics of two works of art” (2010).
Susana Pérez Tort, “Semiótica de dos obras Multimediales”
2010
Susana Pérez Tort. Susana Pérez Tort, “Semiótica de dos obras Multimediales” “Semiótica de dos obras Multimediales” (2010).
Toshinori Kondo
N/A See colaboration with Naoko Tosa
Paradise Tossed
1994
Scott, Jill. Paradise Tossed Leonardo Electronic Almanac 2, no. 3 (March 1994): 8-9.
Vid-A-Feeba
1999
-
1999
...
that
move the... situations
are
the most...
Triple Echo
2003
... so
that
there
are
be... monologues
are
each performed...
Processes: The Artista and the Machine. Reflections on the historical Media Art
2016
Escribano Belmar, Beatriz and José Ramón Alcalá Mellado and Rubén Tortosa and Ana Soler and Lieve Prins, ed. Processes: The Artista and the Machine. Reflections on the historical Media Art. Cuenca: Ediciones de la Universidad de Castilla-La Mancha,
Towards Posthuman Creativity: From Kinetic to Bio-Robotic Art
2014
Kluszczyński, Ryszard W.. Towards Posthuman Creativity: From Kinetic to Bio-Robotic Art In Art Line: A Baltic Collaboration, edited by Magdalena Mróz-Grygierowska and Torun Ekstrand, 94-101. Karlskrona: Blekinge Museum, 2014.
Emotion Recognition and its Application to Computer Agents with Spontaneous Interactive Capabilities
1999
Tosa, Naoko and Ryohei Nakatsu and Joy Nicholson. Emotion Recognition and its Application to Computer Agents with Spontaneous Interactive Capabilities In Workshop on Emotion-Based Agent Architectures (EBAA’99), , 84-93. : 1999.
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