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Gere, Charlie. When New Media Was New In New Media Art: Practice and Context in the UK, 1994-2004, edited by Lucy Kimbell and H. Cadwallader, 46-63. Manchester: Cornerhouse Publications, 2004.

Hill, Leslie and Helen Paris. Guerilla Performance and Multimedia Handbook. London, New York: Continuum, 2001.

Allen, Rebecca. Emergence and The Bush Soul In Computer Graphics: ACM SIGGRAPH, edited by Gordon Cameron and Scott Fisher and Glen FraserVol.32. : SIGGRAPH, 1998.

Allen, Rebecca. Memory Palace In The Global Mind - Art Futura 92, edited by Algora MontxoBarcelona: 1992.

Nake, Frieder. The Display as a Looking-Glass: Zu Ivan E. Sutherlands früher Vision der grafischen Datenverarbeitung In Visionen, Pardigmen und Leitmotive in der Geschichte der Informatik, edited by Hans Dieter HelligeBerlin, Heidelberg, New York:...

Jinorio, Orlando Britto and Ery et.al. Camara. A Fiction of Authenticity: Contemporary Africa Abroad. St. Louis, MO: Contemporary Art Museum St. Louis, 2003.

Weibel, Peter. The Intelligent Image: Neurocinema or Quantum Cinema? In Future Cinema, edited by Jeffrey Shaw and Peter Weibel, 594-601. Cambridge, MA: The MIT Press, 2003.

Jay, Martin. Downcast Eyes: The Denigration of Vision in Twentieth-Century French
Thought. Berkeley, CA: University of California Press, 1994.

Juul, Jesper. What Computer Games Can and Can´t Do In Digital Arts and Culture Conference in Bergen, August 2nd-4th 2000, Bergen: 2000.

Zanini, Walter. A arte de comunicacão telemática: a interatividade no ciberespaco ARS (Departamento de Artes Plasticos) 1, no. 1 (2003).