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  • DOMINGUES, DIANA MARIA G. Public Art Diana Domingues Interview In Parallel Processing - Public Art - New Media Art, edited by Sara Diamond and Brad Buckley and John ConomosVol.1. , 41-65. Toronto: Willey Online Libary, 2020.
  • Event: Le Labo - Centre d'arts médiatiques - Toronto (Canada)Institution: Ars Electronica Linz GmbH & Co KGComment:
  • All Changes Saved -
    ...Tots els canvis s’han desat (All Changes Saved) Aram Bartholl, Clara...
  • Jorge Fernández Torres. Oncena Bienal de La Habana: Prácticas artisticas e imaginarios sociales. ISBN: 978-88-89477-54-0 th ed.Habana: Maretti Editore, 2012.
  • DOMINGUES, DIANA MARIA G and S FUNGHETTO and M MIRANDA and P. K. C. M BATISTA and P. R. F OLIVEIRA and G. A ASSIS and R TORRES. Mobility and freedom: affective cane for expanded sensorium and embodied cognition VSMM2017- The 23rd International
  • DOMINGUES, DIANA MARIA G and S FUNGHETTO and M MIRANDA and P. K. C. M BATISTA and P. R. F OLIVEIRA and G. A ASSIS and R TORRES. Mobility and freedom: affective cane for expanded sensorium and embodied cognition VSMM2017- The 23rd International
  • Vincenzo de Bellis and Caroline Dumalin, ed. MARIO GARCÍA TORRES: ILLUSION BROUGHT ME HERE. Minnesota: Walker Art Center, 2019.
  • Artists: MARINA FAUST, MARCELLO MERCADO, MARIO GARCIA TORRES, CHRISTOPHE BRUNNQUELL
  • Torso
    A work using simulated recombinant genetic algorithms. The piece used two live computed image sources for two of the monitors, one prerecorded computer animated sequence and two live video feeds from surveilance camera's installed in the space. A
  • Rope
    A rope slowly curls around a chair, caressing it carefully. As the speed increases, the torsion builds up and the rope becomes a strangling snake approaching it's pray and eventually the chair is violently tossed around. Although a computer