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Artificial Changelings
1993
A romance thriller about shopping, Artificial Changelings is presented as an installation in which one person at a time uses body movement to interact with sound and images. Viewers can take turns either as particpants or spectators. The story opens
Painting With Light at Tate Modern
2013
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2013
For the opening night of the #HYPERLINK festival on 26th April 2013, Alex May debuted a 75 minute ‘Painting With Light’ live video mapping art performance in the South Tank at Tate Modern, London. Using his own custom software, Alex creates scenes
VIDEOBRASILTrês décadas de vídeo, arte, encontros e transformações
2015
Farkas, Solange and Teté Martinho, ed. VIDEOBRASIL Três décadas de vídeo, arte, encontros e transformações. 2015 th ed.São Paulo, Brasil: dições Sesc São Paulo, 2015.
Pulse Park
2008
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2008
In Pulse Park, evening visitors to Madison Square Park have their systolic and diastolic activity measured by a sensor sculpture installed at the North end of the Oval Lawn. These biometric rhythms are translated and projected as pulses of
Trace Encounters
2004
TraceEncounters is a social network tracking and visualization project. It was debuted September 3 in Linz, Austria at the 2004 Ars Electronica festival. White circles connect cliques of size greater than 3 when the user clicks the 'Find cliques'
Survey of Prints
2007
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2008
In 2003 the Museum purchased Atlas Procession I, a print by William Kentridge, the first work by this internationally renowned South African artist in the SCMA collection. This fall, Kentridge is the subject of a major exhibition at SCMA, William
Metáforas visuales de la ciudad digital actual, dos décadas después
2015
Alcalá Mellado, José Ramón and Virginia Paniagua. Metáforas visuales de la ciudad digital actual, dos décadas después In La ciudad Digital; esperanzas, riesgos y desilusiones en las redes., edited by Col. Estudios #145, 157-190. Cuenca, Spain:
Made in Brazil:três décadas do vídeo brasileiro
2003
Machado, Arlindo and Walter et al. Zanini, ed. Made in Brazil:três décadas do vídeo brasileiro. ISBN 85.85291-37-0, São Paulo: Itaú Cultural, 2003.
[the clearing]
1994
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1994
The Clearing is an interactive installation artwork that focuses on the language of American print media's representation of the Bosnian crisis during the 1993-1994 period based on material culled from the archives of the Oakland Data Center.
Google Will Eat Itself (GWEI) - Hacking Monopolism Trilogy
2005
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2005
"In this project we wanted to buy Google via its own money. We generated revenues by serving Google text advertisements on a network of hidden websites clicked by bots. With this money we automatically bought Google shares. After this process we
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