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  • Eternity´s Sun Rise
    Boredomresearch. Eternity´s Sun Rise In Tumbling Dream Chambers Exhibition Catalogue, edited by Paul BrownBerlin: [DAM] Berlin, 2007.
  • Déjouer L´image: Creations elecroniques et numériques
    Duguet, Anne-Marie. Déjouer L´image: Creations elecroniques et numériques. Paris: Jaqueline Chambon, 2002.
  • La Technologie dans l´art. De la photographie á la realite virtuelle
    Couchot, Edmond. La Technologie dans l´art. De la photographie á la realite virtuelle. Paris: Editions Jacqueline Chambon, 1998.
  • Homo Ludens Ludens
    LABoral Centro de Arte y Creación Industrial presents HOMO LUDENS LUDENS, an international exhibition and conference examining play as a principal element of today’ s world, and highlighting its necessity for our contemporary societies. Following
  • transmediale.08: conspire...
    Under the motto CONSPIRE... transmediale.08 aimed at examining dubious worlds of story-telling and remote opinion making in order to look critically at those means of creative conspiratorial strategies, that offer the potential to uncover new forms
  • Zonas de contactoArt History in a Global Network -
    Twenty years ago, Mary Louise Pratt proposed the notion of a “contact zone” as a place where culture is negotiated and challenged. Art can bridge or destabilize disciplines and methods in ways that reframe histories and bring new insights. Still, on
  • Largus : Art and Giving
    Parent Sylvie and Martel Christine. Largus : Art and Giving. Quebec, Canada: La Chambre Blanche, 2006.
  • Fragments for Georges Méliès, Black Box / Chambre Noir -
    Event: Fragments for Georges Méliès, Black Box / Chambre NoirInstitution: Moderna MuseetComment:
  • The Magic Flute -
    On view will be fifty working drawings and fragments used in the creation of the scenic design and animation for The Magic Flute, the Mozart opera given brilliant interpretation by William Kentridge in a long-awaited production this past spring
  • William Kentridge: Black Box / Chambre Noire -
    Black Box / Chambre Noire konzipierte William Kentridge speziell für die Reihe der Auftragsarbeiten des Deutsche Guggenheim und wählte daher inhaltlich bewusst Deutschland, das Land des Auftraggebers, als Ausgangspunkt der Arbeit. Kentridge, der
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