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  • DEAF 98: The Art of the Accident -
    In our world, accidents are an everyday part of reality. The things we produce have a tendency to malfunction as much as they are capable of functioning properly. We try to predict and control things; yet, we are often surprised by their creativity
  • Look up Kyoto
    Event: Look up KyotoInstitution: Kyoto Saga University of ArtsComment:
  • Searching for the Leviathan in the Usenet
    MacKinnon, Richard C.. Searching for the Leviathan in the Usenet In Cybersociety: Computer-Mediated Comunication and Community, edited by Steven G. Jones, 112-137. Thousand Oaks: SAGE Publications, 1994.
  • Transmission: Toward a Post-Television Culture
    D'Agostino, Peter and David Tafler, ed. Transmission: Toward a Post-Television Culture. Vol.17. Communication and Human Values, : SAGE Publications, 1994.
  • Simulation and Social Theory. Theory, Culture and Society
    Cubitt, Sean. Simulation and Social Theory. Theory, Culture and Society. London: Sage, 2001.
  • Videoschwelle -
    Video installation in public space In the context of the project Freizone Dorotheergasse (Wiener Festwochen and Galerie Metropol), Vienna (AT) In co-production with Gudrun Bielz The work 'Videoschwelle' was conceptualized as part of an exhibition in
  • AL GRANO: Formas de pensar mundos -
    AL GRANO: Formas de pensar Mundos, 2014, solo exhibition (images above and below) at the Centro de Museos de la Universidad de Caldas, commissioned by the Festival de la Imagen 2014, in Manizales, Colombia. A seed of transgenic corn represents an
  • Digital Aesthetics. Theory, Culture and Society
    Cubitt, Sean. Digital Aesthetics. Theory, Culture and Society. London, New York: Sage, 1998.
  • Wiener Aktionismus und Aktionstheater in München -
    2 lectures (Oliver Jahraus, Thomas Dreher), 2 actions (FLATZ, Alexeij Sagerer & proT)
  • Bill Viola
    Bill Viola has been instrumental in the establishment of video as a vital form of contemporary art, and in so doing has helped to greatly expand its scope in terms of technology, content, and historical reach. For 40 years he has created videotapes,
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