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  • One small hop for Alba, one large hop for mankind
    Allmendinger, Ulli. One small hop for Alba, one large hop for mankind NY Arts Magazine 6, no. 6 (June 2001).
  • One small hop for Alba, one large hop for mankind
    Allmendinger, Ulli. One small hop for Alba, one large hop for mankind NY Arts Magazine 6, no. 6 (June 2001).
  • One small hop for Alba, one large hop for mankind
    Allmendinger, Ulli. One small hop for Alba, one large hop for mankind NY Arts Magazine 6, no. 6 (June 2001).
  • Antoni Abad
    Spanish artist who has evolved over time towards video art and later in net.art based on the sculpture. This way, his works moving from traditional scuptural concepts to the use of new technologies, he moved from photography to video art, followed
  • AL GRANO: Formas de pensar mundos -
    AL GRANO: Formas de pensar Mundos, 2014, solo exhibition (images above and below) at the Centro de Museos de la Universidad de Caldas, commissioned by the Festival de la Imagen 2014, in Manizales, Colombia. A seed of transgenic corn represents an
  • One small hop for Alba, one large hop for mankind
    Allmendinger, Ulli. One small hop for Alba, one large hop for mankind NY Arts Magazine 6, no. 6 (June 2001).
  • One small hop for Alba, one large hop for mankind
    Allmendinger, Ulli. One small hop for Alba, one large hop for mankind NY Arts Magazine 6, no. 6 (June 2001).
  • Featured Artist Lin Pey-Chwen
    Lin Pey Chwen’s oeuvre extends from sculpture to interactive digital installations. Over the course of more than twenty years, her work encompasses a unique approach to media art and technology exploring a critical understanding of contemporary
  • Everything could be so much better! - video
    With this work Elke Reinhuber is imagining a world in which only robots are extant. They are continuously repeating the phrases which they learned while humans were only wondering how our planet could be saved. The immersive installation lures the
  • DECONversation -
    Press release: "DECONISM Gallery (Toronto), presents an evening's dialogue between Maurice Benayoun, an internationally recognized interactive virtual reality artist and public intellectual in the area of new media and technology, and Professor
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