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Sommerer, Christa, Mignonneau, Laurent, Lecture as part of the "Paradise Lost or Utopia Regained?" panel at Experimenta: Utopia Now - Int. Biennale of Media Art Melbourne, The Arts Centre Melbourne (Australia), 12.02.2010 2010 - 2010

Public Forum chaired by Darren Tofts (Professor of Media and Communications, Swinburne University of Technology and a leading academic in the field of media art). Australian and international artists explore the opportunities for interactive art to
Victor Acevedo - Digital Art Retrospective: 1985-2019 2019 - 2019

On the occasion of this exhibition, Acevedo updated his artist statement. It was quite brief but yet an articulate recapitulation of the enduring core values of his work. It spoke to the deep and long artistic journey he had traveled to this point.
Machiko Kusahara

Machiko Kusahara is a scholar in media art, digital media culture and media history. She is a professor at Waseda University, Tokyo, and holds a Ph. D. in Engineering from University of Tokyo for her theoretical study on interplay between media
CONCRETE TORONTO: A GUIDEBOOK TO CONCRETE ARCHITECTURE FROM THE FIFTIES TO THE SEVENTIES 2007

McClelland, Michael and Graeme Stewart, ed. CONCRETE TORONTO: A GUIDEBOOK TO CONCRETE ARCHITECTURE FROM THE FIFTIES TO THE SEVENTIES. Toronto: Coach House Books and E.R.A. Architects, 2007.
CONCRETE TORONTO: A GUIDEBOOK TO CONCRETE ARCHITECTURE FROM THE FIFTIES TO THE SEVENTIES 2007

McClelland, Michael and Graeme Stewart, ed. CONCRETE TORONTO: A GUIDEBOOK TO CONCRETE ARCHITECTURE FROM THE FIFTIES TO THE SEVENTIES. Toronto: Coach House Books and E.R.A. Architects, 2007.
Arslab 1992
DE L’AUTRE CÔTÉ 2021 - 2022

Multichannel audiovisual composition (3Ch-Video, 4.1 Ch-Audio) This audiovisual journey focuses on viewing a natural field from a different perspective, with the perception of subtle movements and sounds leading the viewers / listeners to a magical
Victor Acevedo: Prints and Videos: 1985-2019 2019 - 2019

From May 9 through June 1, 2019, Victor Acevedo presented a retrospective exhibition of his digital work at Los Angeles Center for Digital Art. He showed a selection of print work that spanned the years 1987 to 2019 and his computer animation and
Oliver Grau

20 years Chair Professorships for Image Science. More than 350 lectures and keynotes worldwide, including Olympic Games culture program and G-20 Summit. Grau's “Virtual Art. From Illusion to Immersion”, MIT Press 2003 (Book of the Month, Scientific
standards and double standards subsculpture 3 2004 - 2004

STANDARDS AND DOUBLE STANDARDS is an interactive installation that consists of fifty fastened belts that are suspended at waist height from servo motors on the ceiling of the exhibition room. Controlled by a computerized tracking system, the belts

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