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Towards Enactive Systems: Affective Cane
2018
DOMINGUES, DIANA MARIA G and S FUNGHETTO and M MIRANDA and Pedro H. G. INAZAWA and P. R. F OLIVEIRA and Gilda Aparecida de ASSIS and Adson ROCHA. Towards Enactive Systems: Affective Cane 24th ISEA - International Symposium on Electronic Art 1
Mobility and freedom: affective cane for expanded sensorium and embodied cognition
2017
DOMINGUES, DIANA MARIA G and S FUNGHETTO and M MIRANDA and P. K. C. M BATISTA and P. R. F OLIVEIRA and G. A ASSIS and R TORRES. Mobility and freedom: affective cane for expanded sensorium and embodied cognition VSMM2017- The 23rd International
Mobility and freedom: affective cane for expanded sensorium and embodied cognition
2017
DOMINGUES, DIANA MARIA G and S FUNGHETTO and M MIRANDA and P. K. C. M BATISTA and P. R. F OLIVEIRA and G. A ASSIS and R TORRES. Mobility and freedom: affective cane for expanded sensorium and embodied cognition VSMM2017- The 23rd International
Digital Sustainability: From Resilience to Transformation
2022
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2022
Inspired by forms of animism, herbalism, panpsychism, and the care of sustenance networks, Badani’s 3D animations explore the intersectionality of the climate crisis and the COVID-19 pandemic. In 2019, a bio-based symbiotic interaction unfolded in
Bio-logic - Living Structures and Swarm Bodies
2014
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2014
sonja bäumel in collaboration with maurizio montalti (Officina Corpuscoli) mirko daneluzzo & tommaso casucci (Co-de-iT) Waag Society's Open Wetlab WASP self-initiated WORKSHOP AT THE WAAG SOCIETY AMSTERDAM Interactions between Biological and Digital
Vision und Visage. Überlegungen zur Faszinationsgeschichte der Medien
1996
Macho, Thomas. Vision und Visage. Überlegungen zur Faszinationsgeschichte der Medien In Inszenierte Imagination. Beiträge zu einer historischen Anthropologie der Medien, edited by Wolfgang Müller-Funk and Hans-Ulrich Reck, 87-109. Wien, New York:
Zoran Poposki
My work is transdisciplinary and explores cultural translation, liminality, identity, and public space through a number of media, combining digital art including AI art and NFT art with video art, painting, drawing, photography, printmaking,
Maschinensehen (Machine-Vision)
2013
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2013
Through video essays and photography, the exhibition MASCHINENSEHEN [MACHINEVISION] documents the practice of picture production: its devices and technologies, the laboratories, as well as the sites where the new processes are applied. In addition,
passage- a Hybrid Interactive Installation andPerformance
2010
Kusch, Martin and Marie-Claude Poulin. passage- a Hybrid Interactive Installation and Performance In Proceedings of the 16th International Symposium on Electronic Art, edited by J. Funke and S. Riekeles and A. Broeckmann and Hartware
Jan-peter e.r. Sonntag
Jan-Peter E.R. Sonntag & N-solab 1965 in Lübeck, Deutschland Club Transmediale 2008 sonArc::project, Kulturverlag Kadmos, Berlin, ISBN (13)978-3-931659-97 Auszeichnungen (Auswahl) [Bearbeiten] 2008 CYNETart-Award 08 2008 Deutscher
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