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  • Oi Futuro, Rio de Janeiro, Brazil, solo show curated by Christiane Paul -
    Oi Futuro, Rio de Janeiro, Brazil, solo show curated by Christiane Paul ("Eduardo Kac: Lagoglyphs, Biotopes and Transgenic Works"), January 25th to March 30th, 2010). [Hullabaloo, Oblivion, Theorem, Odissey]
  • Public Voices on Energie Passagen / Energy Passages
    Paul, Christiane and Sherry Turkle and et al.. Public Voices on Energie Passagen / Energy Passages [].
  • Life Encoded - The Communication Art of Eduardo Kac
    Paul, Christiane. Life Encoded - The Communication Art of Eduardo Kac In Curatorial essay written for the exhibition, edited by n/aRio de Janeiro: 2010.
  • Christie Widiarto
    Artist: Christie WidiartoComment:
  • London 2013 and London 2014 -
    London 2013 – and 2014 – reveal the view from Christina Niederberger’s studio on the 8th floor of ASC Studios’ Erlang House looking north over London’s newly emerging skyline. The images were constructed a pixel a second from top left to the bottom
  • Microswarm Patchwalk -
    Microswarm PatchwalkArtist: Christina McPheeComment:
  • Bodypaint video
    In Giulia Bowinkel & Friedemann Banz series of ”body paintings”, the body becomes the shaping pulse. Recordings of body movements in space are coupled with fluid simulations. The generated forms follow the movement of people, translating physical
  • #fuckreality. Kunstraum Niederösterreich. 5 October- 24 November
    Krejs, Christiane and Martin Kusch and Alexandra Schantl and Ruth Schnell. #fuckreality. Kunstraum Niederösterreich. 5 October- 24 November. Vienna: Verlag für Moderne Kunst, 2018.
  • Modular Structure and Image/ Sequences: Comics and Interactive Media
    Legrady, George. Modular Structure and Image/ Sequences: Comics and Interactive Media In Comics Culture: Analytical and Theoretical Approaches to Comics, edited by A. Magnussen and H.-C. Christianesen, 79-90. Copenhagen: Tusculanum Press, 2000.
  • Cyberformance and the Cyberstage
    Papagiannouli, Christina. Cyberformance and the Cyberstage International Journal of the Arts in Society 6, no. 4 (2011).
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