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  • The Exceptional and the Everyday: 144 hours in Kyiv
    Over a few days in February 2014, a revolution took place in Kyiv, Ukraine. How was this exceptional event reflected on Instagram? What can visual social media tell us about the experiences of people during social upheavals? If we look at images of
  • The Co-Opticon: Shared Access to a Robotic Streaming Video Camera
    Goldberg, Ken and Dezhen Song. The Co-Opticon: Shared Access to a Robotic Streaming Video Camera In ACM MultiMedia Conference, Berkeley, November 2003, Berkeley, CA: 2003.
  • Her Long Black Hair -
    Janet Cardiff's Her Long Black Hair is a 35-minute journey that begins at Central Park South and transforms an everyday stroll in the park into an absorbing psychological and physical experience. Cardiff takes each listener on a winding journey
  • The European Media Art Festival 2015: Irony -
    We come across irony all the time in everyday communication: in photos, caricatures, texts and conversations. Witty, critical or ironic comments are transformed into questioning works and words using the devices of under- and over-exaggeration,
  • Greenhouse -
    ... public space on Facebook, and pull out open...
  • Lake_Shinji -
    Sharing collective memory by using the lake_Shinji as a drawing pad. Over 50 people which include local fisher men, bicycler, yacht men and so on, were gatherd to collect their persnal positions and video data on the days 27th, 28th of July, 2002.
  • Gaia E VIII
    10. Gaia E VIII, 1995. Paper Size: 30" by 22" Pen plotter drawing. Familial Resemblance. The software procedure generates a "family" of forms with a strong familial resemblance. These works resemble each other because they were created
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  • Sharon Daniel
    Artist: Sharon DanielComment:
  • George Bures Miller and Janet Cardiff : "we´ve always been close artistically. Part of our dating process was collaboration on a film"
    Dreidger, Sharon Doyle. George Bures Miller and Janet Cardiff : "we´ve always been close artistically. Part of our dating process was collaboration on a film" Maclean´s 114, no. 52 (December 2001): 38.
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