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George, Frank Honywill. The Brain as a Computer. Oxford-London-Paris-Frankfurt: Pergamon Press, 1962.

Knowlton, Kenneth C.. Computer Animated Movies In Cybernetic Serendipity: The Computer and the Arts, edited by Jasia Reichhardt, 62. London: Studio International Special Issue, 1968.

Pierce, John R.. A Chance for Art In Cybernetics, Art and Ideas, edited by Jasia Reichhardt, 46 - 56. London: Studio Vista, 1971.

Reichardt, Jasia, ed. Cybernetics, Art and Ideas. London: Studio Vista, 1971.

The Concourse Gallery, ed. Vera Molnar - Transformations. Exhibition Catalogue. London: Polytechnic of Central London, 1976.

Burks, Arthur, ed. Theory of Self-Reproducing Automata. Urbana, London: University of Illinois Press, 1966.

Whitney, John. Bewegungsbilder und elektronische Musik In Heft 7 - Forum - Raum, edited by Herbert EimertVol.7. Die Reihe, Wien, Zürich, London: Universal Edition Wien, 1960.

Grau, Oliver. The History of Telepresence: Automata, Illusion and Rejecting the Body In Nature, edited by Jeffrey Kastner, 121-124. London: Whitechapel Gallery, 2012.

Grau, Oliver and Jonathan P. Bowen and Kia Ng. Renewing Knowledge Structures for Media Art In EVA London 2010: Electronic Visualisation and the Arts, edited by Alan Seal, 286-295. Swindon: British Computer Society, 2010.

Hemmings, Jessica, ed. WARP & WEFT: WOVEN TEXTILES IN FASHION, ART AND INTERIORS, Interview with Philip Beesley. London: Bloomsbury, 2012.