Archive Search

... productive and destructive sides of...

Within a short time the VideoFest has become one of the most important international video festivals. The programme consisted of works covering the field of videoart and documentation; the intention was to point out video-specific realisations of

Also with the VideoFest ‘92, the MedienOperative claimed to reflect the development of international video culture and to represent a rich variety of genres – productions, sculptures, or selections from fields like interactive media and computer

1995 VideoFest saw beyond the end of ist own nose and explored in detail what the new maigc word Multimedia stands for in the realm of CD-ROM and Internet artworks. There were performances, discussions, an exhibition and workshops.

The net jargon acronym BWPWAP – Back When Pluto Was a Planet is an expression used whenever one wants to talk about things in our recent past that have changed quickly. On August 24th, 2006, at the closing ceremony of their general assembly, the

Since 1973, video contributions have taken an essential part in the International Forum of New Cinema at the International Film Festival. 1988, the MedienOperative showed its own programme under the name VideoFilmFest – usually it has only been the

... power stations, destroyed landscapes and...

1991 – the character of the programme has become more angular than before; there are more works that irritate in form and content, more documentaries that ry to find an innovative formal language for exciting topics, surprisingly more works that use

VideoFest `93 had more to offer than ever before. On the one hand we offered a core programme of the usual high quality. On the other hand we can now boast greater space for all activities – the programme, installations, market, conferences, special

Event: DEAF 2007: Interact or Die!Institution: V2_Lab for the Unstable MediaComment: