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  • Strom, Jordan. Shifting Perspectives: Sylvia Grace Borda. Vol.https://www.surrey.ca/arts-culture/surrey-art-gallery/gallery-publications/exhibition-catalogues/shifting-perspectives. Canada: Heritage House Publishing and Surrey Art Gallery, 2020.
  • Strom, Jordan. Shifting Perspectives: Sylvia Grace Borda. Vol.https://www.surrey.ca/arts-culture/surrey-art-gallery/gallery-publications/exhibition-catalogues/shifting-perspectives. Canada: Heritage House Publishing and Surrey Art Gallery, 2020.
  • Strom, Jordan. Shifting Perspectives: Sylvia Grace Borda. Vol.https://www.surrey.ca/arts-culture/surrey-art-gallery/gallery-publications/exhibition-catalogues/shifting-perspectives. Canada: Heritage House Publishing and Surrey Art Gallery, 2020.
  • Strom, Jordan. Shifting Perspectives: Sylvia Grace Borda. Vol.https://www.surrey.ca/arts-culture/surrey-art-gallery/gallery-publications/exhibition-catalogues/shifting-perspectives. 1 th ed.Canada: Heritage House Publishing and Surrey Art Gallery,
  • Borda, Sylvia Grace. Shifting Perspectives. Vancouver: Heritage House Publishing and Surrey Art Gallery, 2020.
  • Borda, Sylvia Grace, ed. Shifting Perspectives. Vancouver: Heritage House Publishing and Surrey Art Gallery, 2020.
  • The net jargon acronym BWPWAP – Back When Pluto Was a Planet is an expression used whenever one wants to talk about things in our recent past that have changed quickly. On August 24th, 2006, at the closing ceremony of their general assembly, the
  • Event: Open Art, Shifting the WorldInstitution: AAP Department of Art, Goldwin Smith Hall, Cornell University IthacaComment:
  • Event: Sommerer, Christa, Mignonneau, Laurent, Lecture at Bits & Pieces: Shifting Boundaries and Different Realities, University of Hartford, Hartford, USAInstitution: University of HartfordComment:
  • Fleischmann, Monika and Wolfgang Strauss. The Art of the Thinking Space: A Space Filled with Data. In Digital Creativity: Shifting Boundaries: Practices and Theories, Arts and Technologies,, edited by Antony BrooksVol.31, Nr. 3. DOI: