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Bits and Pieces 2001 - 2001

Event: Bits and PiecesInstitution: Joseloff Gallery at Hartford Art SchoolComment:
To Touch 1993

It seems that a simple wooden table is the only object in a smoothly lighted room. To touch - to finger, to contact, to handle. The common museum traditions, meaning that the viewer is a viewer from distance, are turned around. The art pieces starts
Josh Nimoy

"I am a silicon valley unicorn. I make software art. I communicate between engineers and artists. I think a lot about issues of programming for non-programmers. I am best known for my generative computational aesthetics for Disney's TRON:Legacy. My
The Cultural Body’s Death by a Thousand Cuts: Why Society Is No Longer a Body and Why It Can Be Cut to Pieces 2015

Aceti, Lanfranco. The Cultural Body’s Death by a Thousand Cuts: Why Society Is No Longer a Body and Why It Can Be Cut to Pieces Journal of Visual Culture 14, no. 2 (August 2015): 137-154.
Pièces à convictions 1985

Event: Pièces à convictionsInstitution: Festival vidéo de Montbéliard 1985Comment:
Sommerer, Christa, Mignonneau, Laurent, Lecture at Bits & Pieces: Shifting Boundaries and Different Realities, University of Hartford, Hartford, USA 2001 - 2001

Event: Sommerer, Christa, Mignonneau, Laurent, Lecture at Bits & Pieces: Shifting Boundaries and Different Realities, University of Hartford, Hartford, USAInstitution: University of HartfordComment:
Bits to Pieces- 5th Moscow Biennale 2013 - 2013

Event: Bits to Pieces- 5th Moscow BiennaleInstitution: Moscow BiennaleComment:
La piel de la imagen: Ensayos sobre gráfica en la cultura digital 2011

ALCALÁ MELLADO; Jose Ramón. La piel de la imagen: Ensayos sobre gráfica en la cultura digital. Valencia: Sendemá, 2011.
Homo S@piens: Leben im 21. Jahrhundert - Was bleibt vom Menschen? 2000

Kurzweil, Ray. Homo S@piens: Leben im 21. Jahrhundert - Was bleibt vom Menschen?. Berlin: Ullstein Taschenbuch, 2000.
baldosas y pienso 2000

casares, nilo. baldosas y pienso. Vol.1. 1ª th ed.alfafar, valència (spain): universitat politécnica de valència, galería edgar neville, 2000.

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