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Art Total 2010 - 2010

The relationship between the work and its frame and between art and its spaces for exhibition and legitimisation has been one of the preoccupations of twentieth-century artists. In the multiple conceptual acrobatics which led Klein to exhibit
Total Art: Environments, Happenings, and Performance 1974

Henri, Adrian. Total Art: Environments, Happenings, and Performance. New York: W. W. Norton and Company, 1974.
The Total Work of Art: From Bayreuth to Cyberspace 2007

Smith, Matthew Wilson. The Total Work of Art: From Bayreuth to Cyberspace. New York: Routledge, 2007.
Encapsulated Bodies in Motion: Simulators and the Quest for Total Immersion 1995

Huhtamo, Erkki. Encapsulated Bodies in Motion: Simulators and the Quest for Total Immersion In Critical Issues in Electronic Media, edited by Simon Penny, 159-186. Albany, NY: State University of New York Press, 1995.
Dynamic Sphere 2011

Digitally generated trompe-l’oeil ceiling, total surface of 250sq.m., entrance lobby at Hotel Ritz, Vienna
Storia del Panorama: La visione totale nella pittura del XIX secolo 1984

Bordini, Silvia. Storia del Panorama: La visione totale nella pittura del XIX secolo. Collana di architettura; 26, Roma: Officina Ed., 1984.
Un safari photo au pays de la guerre 1997

Event: Un safari photo au pays de la guerreInstitution: Opéra TotaleComment:
femme totale
The anagrammatical body and his medial construction 2000 - 2000

In der Kunst des 20. Jahrhunderts wurde die Kategorie des Schönen einem radikalen Wandel unterworfen. Das vertraute klassische Schönheitsideal, insbesondere der ideale schöne athletische Körper in der Nachfolge der Antike, wurden vom Diskurs der
»Suitable for Framework« 2005 - 2005

Event: »Suitable for Framework«Institution: TotalKunstComment:

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