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  • Visit-US (2005, 1 minute, digital animation) Visit-US explores the ways in which national border controls have been updated and expanded through the use of digital technology and electronic surveillance. The transition from an emphasis on physical
  • Electronic technology and surveillance have added a digital dimension to Foucauldian panopticism and expanded the ways in which nations can continually monitor and control visitors’ entry through their borders. This instantaneous access to massive
  • Chaser -
    Chaser transforms the top windows of the Tyne Bridge Tower in Gateshead into a rapidly moving light circuit of intense colour. Visible across the river Tyne in Newcastle, Gateshead and beyond, the animation will continually ‘chase’ around the
  • Acryl and marker on paperSeries (12), dim: 66 x 90 cm (each) Drawings in colour that trace microscopic motifs of bodily particles shift conceptually away from the real motif towards the abstract one using form and colour on two levels: colour (the
  • Helen Varley Jamieson is a writer, theatre practitioner and digital artist from New Zealand, based in Germany. She holds a Master of Arts (Research) investigating cyberformance - live performance on the internet – which she has practiced since 1999.
  • Event: SHIFT-CTRL: Computers, Games and Art ExhibitionInstitution: Beall Center for Art and Technology University of California IrvineComment:
  • Event: Political Shift, World Skin Shots, Studies for Still Moving, Positive Discrimination, Missing the PointInstitution: FIAC, Show Off, Espace Pierre CardinComment:
  • RGB VW -
    This work was conceived in relation to a particular location, a disused automobile factory in Karlsruhe. Such a space is clearly significative of industrial culture. But we are now shifting towards a more immaterial fascination - the media
  • An old wooden boat is suspended from a metal frame like a swing, moving forward and backward in an unnaturally slow and almost imperceptible motion. The boat neither assumes the bouncing rhythm of a wave, nor the smooth alter- nation of a pendulum,
  • Brooks, Anthony. Digital Creativity Volume 31, 2020 - Issue 3: Shifting Boundaries: Practices and Theories, Arts and Technologies. Vol.31. DOI 10.1080/14626268.2020.1810433, : Taylor and Francis, 2020.