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  • Susana Pérez Tort. Susana Pérez Tort, “Multimedia Semiotics of two works of art” “Multimedia Semiotics of two works of art” (2010).
  • Susana Pérez Tort. Susana Pérez Tort, “Semiótica de dos obras Multimediales” “Semiótica de dos obras Multimediales” (2010).
  • Escribano Belmar, Beatriz and José Ramón Alcalá Mellado and Rubén Tortosa and Ana Soler and Lieve Prins, ed. Processes: The Artista and the Machine. Reflections on the historical Media Art. Cuenca: Ediciones de la Universidad de Castilla-La Mancha,
  • N/A See colaboration with Naoko Tosa
  • Scott, Jill. Paradise Tossed Leonardo Electronic Almanac 2, no. 3 (March 1994): 8-9.
  • Vid-A-Feeba -
    Vid-A-Feeba is a play with a chaotic process applied to the generation of artistic images and sounds. The images follow the iterated evolution typical of chaotic systems showing quick change in the visual patterns depending on the bifurcation
  • Triple Echo is an interactive film environment where poetic monologues are each performed by three actors representing an updated version of the Orpheus and Eurydice myth. These characters form a proverbial "Eternal Triangle". Each screen section
  • Kluszczyński, Ryszard W.. Towards Posthuman Creativity: From Kinetic to Bio-Robotic Art In Art Line: A Baltic Collaboration, edited by Magdalena Mróz-Grygierowska and Torun Ekstrand, 94-101. Karlskrona: Blekinge Museum, 2014.
  • Tosa, Naoko and Ryohei Nakatsu and Joy Nicholson. Emotion Recognition and its Application to Computer Agents with Spontaneous Interactive Capabilities In Workshop on Emotion-Based Agent Architectures (EBAA’99), , 84-93. : 1999.
  • the new work is an enhanced version of the audiovisual installation data.tron, where each single pixel of visual image is strictly calculated by mathematical principle, composed from a combination of pure mathematics and the vast sea of data present