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...Wilson, Stephen. Information Arts: Intersections of Art, Science, and Technology. Cambridge, MA: The MIT Press, 2003.

...Poissant, Louise. Projet d´une Encyclopédie des Arts Médiatiques .

... Wolfgang Strauss and Christian A. Bohn. Liquid Views - Touch as Vision In Interaction, IAMAS International Academy of Media Arts and Science, Ogaki, Japan, edited by Itsuo SakaneGifu, Japan: 1997.

...Ascott, Roy. Art and Education in the Telematic Culture / Kunst und Erziehung in der telematischen Kultur In Synthesis - Visual Arts in the Electronic Culture / Die visuellen Künst in der elektronischen Kultur., edited by M. Eisenbeis and H. Hageböling, 184-203....

...Morse, Margaret. Nature Morte: Landscape and Narrative in Virtual Environments In Immersed in Technology: Art and Virtual Environments, edited by Mary-Anne Moser and Douglas MacLeod, 195-232. Cambridge, London: MIT Press and Banff Centre for the Arts, 1996.

...Brown, Paul. Metamedia and Cyberspace: Advanced Computers and the Future of Art, Technology and Creativity In Culture, Technology and Creativity, edited by Philip HaywardLondon: John Libbey and Arts Council, 1990.

...Nadarajan, Gunalan. Spectres of the Animal: The Transgenic Works of Eduardo Kac In The Eighth Day: The Transgenic Art of Eduardo Kac, edited by Sheilah Britton and Dan Collins, 44-50. Tempe: The Institute for Studies in the Arts, Arizona State University, 2003.

...Bernier, Robert. Char Davies: L´espace immersif, espace perceptif L´informateur des Arts II, no. 1 (Fall 1995): 58-60.

...Davies, Char. The Yearning In Der Prix Ars Electronica: International Compendium of the Computer Arts, edited by Christine Schöpf and Christian Schenk and Paul Pritchard, 26-29. Linz: Veritas-Verlag, 1993.

...Boredomresearch. Theatre of Restless Automata review on boredomresearchs' solo exhibition at Peterborough Digital Arts furtherfield.org website (2006).