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  • The Shadow
    Cubitt, Sean. The Shadow MIRAJ Moving Image Research and Art Journal 2, no. 2 (2013): 187-197.
  • Cubitt, Sean and Gundalan Nadarajan and José-Carlos Mariátegui. Social Formations of Global Media Art Third text: Special Issue MEDIA ARTS: Practice, Institutions and Histories 23, no. 3 (May 2009): 217-228.
  • Cubitt, Sean and Steven Partridge, ed. Rewind: Artists’ Video in Britain 1970s and 1980s,. New Bartnet: John Libbey, 2012.
  • Hauser, Jens and Paul Thomas. Remediating Still Life, Pencils of Nature and Fingerprints In Relive: Media Art Histories, edited by Sean CubittLeonardo book series, , 275-307. Cambridge: MIT Press, 2013.
  • A Stereoscopic Surround Sound Installation. Work in Progress. The viewer enters a darkened room to discover life size stereoscopic figures that appear to inhabit our own three dimensional space. These phantoms reenact a series of séances held
  • Born in Seoul, South Korea, Bo Lee is a contemporary artist, using video, drawing and found objects to explore various themes. His videos often implement a collection of rapid cuts to experiment with social meaning while his drawings play with
  • Slippery Traces -
    Slippery Traces is a multi-linear visual narrative in which viewers navigate through a network of over 240 interconnected postcards classified into 24 categories or chapters. The intention of the work has been to explore database structures as a
  • Sky -
    Sky is a collection of conceptual pieces to transform nuclear weapons into works of art. (Iris-Project) (source: http://www.quadrantcrossing.org/papers/CAE_catalogue_MTL.pdf#search=%22george%20gessert%20iris%22)
  • Feed -
    FEED consumes the web. A play on the technical term "data feed", FEED does not supply information, it consumes information, reducing structure, meaning and content to a stream of text and pixels. An anti-browser, FEED unravels the web. Contemplative
  • In contemporary times we may ask: is the search for self-knowledge extended and amplified through the medium of digital media? Or, do we find ourselves in a crisis - like that of Narcissus’ confusion or the loss of the soul - in which we can no