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  • Aceves Sepulveda, Gabriela. Re]Activating Mamá Pina's Cookbook Feminist Media Histories 3, no. 3 (2017): 159-166.
  • Aceves Sepulveda, Gabriela. Re]Activating Mamá Pina's Cookbook Feminist Media Histories 3, no. 3 (2017): 159-166.
  • Aceves Sepulveda, Gabriela. Re]Activating Mamá Pina's Cookbook Feminist Media Histories 3, no. 3 (2017): 159-166.
  • Aceves Sepulveda, Gabriela. Re]Activating Mamá Pina's Cookbook Feminist Media Histories 3, no. 3 (2017): 159-166.
  • "Tao-interazione" is based on the dynamical interaction between the observer and a multivision system, in which counteracting couples of images and musical compositions are presented. The observer-listener could navigate by walking on the
  • Torso
    A work using simulated recombinant genetic algorithms. The piece used two live computed image sources for two of the monitors, one prerecorded computer animated sequence and two live video feeds from surveilance camera's installed in the space. A
  • Nevel -
    A matrix of nine pivoting walls forms a labyrinth whose architecture continuously changes. A sequence of different compositions creates choreography of spaces flowing into one another. It is an auto choreographic space to wander and get lost in,
  • ... " floating copyright natural sound records over vibrating floresta ” ... Integral 23 minutes flythrough sequence across sinthetic floresta, showers of particles and flat alpha plane fires. Floating XYZ coordinates axis and eventual camera deep
  • Unseen brings to light from darkness, the metaphorical images of the invisible, pervasive viruses penetrating our world. By rendering these transformations perceptible a sequence of configurations emerges: First sweeping the earth, unfolding up
  • Document B -
    Life has a beginning, a middle and an end. Our minds and memories see time pass in a narrative stream, moving from a beginning towards a close, and this pattern informs our concepts – and our preconceptions. But can we really confirm our lives as we