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  • Kwangju Biennale 2004 -
    "The Gwangju Biennale 2004 is a cultural forum that experiments with established cultural practices that are centered around the art specialist and cultural power, specifically, artist and curator. To subvert the existing hierarchy, we deploy new
  • Land of Cloud -
    Winner of the VRHAM 2018 Audience Award Three days journey beyond Space and Time lies the Land of Cloud. The people there are silent. They communicate not through speech, gesture or gaze, but instead through strange and wondrous "cloud mirrors."
  • Blue Stage -
    Sound, film, music, photography and images, text: the Blue Stage interactive installation presents an innovative model for the multimedia representation of cultural themes. Here, new kinds of interaction of between man and networked knowledge are
  • 17th World-Wide Video Festival -
    Media art from 25 nations is what the 17th World Wide Video Festival will present from 15 September until 11 October this year in Amsterdam. On September 15, 16, 17, 18 and 19 many of the selected artists will be there in person and a number of them
  • ISEA 1998 [The Ninth International Symposium on Electronic Arts] -
    Developments in new technologies appear to be revolutionising every aspect of our daily lives. The metaphors of 'revolution' are often applied to the speed of exponential change that the world is experiencing, in part through developments in
  • SonarSound Sao Paulo -
    SonarSound Sao Paulo will be held in three of the city’s emblematic venues -Teatro Abril, Instituto Tomie Ohtake and Credicard Hall- and over three days and nights it will bring together Arto Lindsay, Jeff Mills, Laurent Garnier, Liars, Patife,
  • Field Recording Studies -
    Study #1 - Panoramic and Moviemap Studies in Computer 3-Space These studies were produced in the two weeks. Simple tools were used in the field, including various maps, compass, level, optical rangefinder, tripod, car mount, and a portable video
  • The Savant Guard -
    The Savant Guard is a public art commission for the city of Pasadena, California. Since its opening in July 2006 it is one of the few outdoor, publicly accessible "interactive" artowrks in the US. This project is a collaboration between myself
  • Placeholder
    Laurel, Brenda and Rachel Strickland. Placeholder In Immersed in Technology: Art and Virtual Environments, edited by Mary Anne Moser and Douglas MacLeodCambridge, MA: MIT Press, 1996.
  • In Conversation -
    In November 1997, on Duke Street in Brighton, passers-by encountered an animated mouth projected onto the pavement. Through loudspeakers they could also hear a voice trying to strike up a conversation (the voice was made up of text to speech
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