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INS(H)NAK(R)ES
2001
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2001
This installation was mounted in November 2001 in Athens, Greece, during the event media@terra, as an artist of Brazilian representation
I N S N (H) A K (R) E S
2000
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2000
This installation was mounted in November 2001 in Athens, Greece, during the media@terra event, as a Brazilian representation artist. DOMINGUES, Diana . INS(H)NAK(R)ES. Media@Earth 2000, Athens, p. 37-38, 2000
Metabodies
2013
This project investigates the unexpected diversity to be found on the human ecosystem and its 'social network'; this, by focusing on the language of billions of bacteria, which populate it. Sonja Bäumel tested two subjects each of them left hand
Urbano cíbrido: átimos calmos em comunicação ubíqua e móvel por conexões transparentes
2008
DOMINGUES, DIANA MARIA G. Urbano cíbrido: átimos calmos em comunicação ubíqua e móvel por conexões transparentes II Simpósio da ABCiber (2008).
Entre Sensíveis Pixels: espaço-tempo-agora
2013
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2013
A exposição Entre Sensíveis Pixels: espaço –tempo – agora leva ao Estúdio Galeria Mamute, uma discussão a respeito da arte em diálogo com as tecnologias digitais e com os questionamentos deste tempo. Uma mostra que pensa a condição na qual o
Digital Art in Cuba: Increasing enthusiasm for Digital Art
2002
Atkan, Nancy. Digital Art in Cuba: Increasing enthusiasm for Digital Art New York Arts Review 2, no. 7 (July 2002).
State of the (On-Line) Art
1999
Atkins, Robert. State of the (On-Line) Art Art in America (April 1999): 89-95.
Interactivity and Intervention: Peter d´Agostino´s Art of Ideas
1999
Atkins, Robert. Interactivity and Intervention: Peter d´Agostino´s Art of Ideas. New York: Lehman College Art Gallery, 1999.
Interactive Video Kaleidoscope
1987
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1987
A human sized real kaleidoscope creates colorized feedback patterns from faces. Exhibited at the Massachusetts Institute of Technology, and the SIGGRAPH 1988 Art Show in Atlanta.
Planetary Network
1986
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1986
The «daily news» was the theme of this project in which more than 100 artists on three continents participated. The artists worked with computers, video text, slow-scan-TV, and telefax. The live activities in Venice lasted a period of 14 days,
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