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White Cube alpha 1-20 (The Age of Experience)
2015
WHITE CUBE alpha exhibition The Age of Experience curated by Harald Kraemer, CMC Gallery, School of Creative Media City University, Hong Kong Seeking the common denominator of all contemporary artworks, in spite of their spectacular diversity, the
Bulk Keywords for Open Art Practice: Architecture, Wind, Emotions, Stock, Fragrance, Dump, War, Urban, Fusion, Memory, phatic, virtuality…
2015
Event: Bulk Keywords for Open Art Practice: Architecture, Wind, Emotions, Stock, Fragrance, Dump, War, Urban, Fusion, Memory, phatic, virtuality…Institution: Seoul Art Space Geumcheon 'DA VINCI CREATIVE 2015'Comment:
Aromapoetry
2011
"Every poem in the book Aromapoetry employs nanotechnology by binding an extremely thin layer of porous glass (200 nanometers thick) to every page, trapping the odorants (i.e. the volatile molecules) and releasing them very slowly. Without this
PARADOXIEN DES ÖFFENTLICHEN
2007
Mit Vorträgen und Werkstätten unternimmt das Forum eine kritische Revision des öffentlichen Raums und fragt nach neuen Räumen für die Kunst. Monika Fleischmann, Leiterin der eCulture Factory, wird als Moderatorin an dieser Veranstaltung beteiligt
Treshold Experiences, Incendiary Bodies and Frail Machines
1999
Morse, Margaret. Treshold Experiences, Incendiary Bodies and Frail Machines In Jim Campbell: Transforming Time: Electronic Works: 1990-1999, , 33-34. Tempe, Arizona: Arizona State University Art Museum, 1999.
Suspended Spring
2020
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2020
The Nantesbuch Foundation focuses on artworks dealing with nature. In April, they asked 100 of their artists to create a video piece on nature in the spring. See their website for the online exhibit "Arts of Spring." To express my feeling of having
Sottovoce
2002
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2002
The title 'sottovoce' is a musical term derived from the Italian "in a barely audible voice, a whisper" and alludes to the whispered and haunting nature of the Sottovoce's voice-over. This menacing evocation of events leading up to a
Ex(or)ciser
This interactive installation addresses mass media and manipulation in postmodern culture. In this mediawork individualism and narcissism are revealed as inextricably linked to new electronic technologies and capitalist consumerism. The interface
Teresa Wennberg
Teresa Wennberg is a painter and a multimedia artist. Beside her painting career, she started making video in 1978 at the Centre Pompidou Paris and is considered a pioneer in video art and computer art. A multidisciplinary background: law,
Gallery of Heroic Women
2018
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2019
This series of fictitious portraits deals with fighting and hunting movie heroines and refers to the baroque concept of the ‚Gallery of Heroic Women‘ (book by Pierre Le Moine with illustrations, painting series by Guy François, and others, 16th-17th
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