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  • ...calling attention to the beauty of life and the necessity for enlightened thinking about nature’s ‘tangled bank’.
  • Elke Reinhuber's work focuses on decision making processes and counterfactual thoughts in media arts. As a decidophobic in her own life, she explores alternative layers of the here and now with immersive environments and expanded photography.
  • ... nets (space frames). The use of this geometry and the graphical tension achieved by combining it with photographic data is an opportunity to represent spatial field phenomena in a way that is non-cubical and non-cubist and something other than the...
  • .. making visible that which is not before our eyes, that which is not directly evident nor exposed to the view ..
  • ... sometimes ``listen'' to an electrocardiogram to detect periodicities and abnormalities that the eye could not: the data is treated as a time-domain representation of an audio signal, and is run through a DAC (digital-to-analog converter) so that...
  • ... be updated or re-designed, but forthe most part the website works well and is quite effective in housing and delivering data on Digital Artand artists as well as Digital Art institutions and key events and exhibitions that have taken placethrough the...
  • ... Acevedo’s visual music explores the implications of synesthesia through computer animated geometry.
  • cyberSM -
    ... appearances, identities and entities by letting the participants choose their own visual appearance from a large databank of digitized human bodies. Once chosen, the participents send the image of their virtual self to the others on the network....
  • ... a sonic environment and a libretto through brainwaves and interaction with audience. Noor: A Brain Opera connected five databanks to five screens that were primarily triggered by four different emotional states of the performer: relaxation, engagement,...
  • ... terminals which when activated by the purchased revolutionary monument would allow the user to explore an audiovisual database concerning these 200 revolutions via three interconnected paths of navigation - 'space', 'time' and...