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HTTPVideo, HTTPpix: Creative Processes and Criticism in Image Networks
2010
Beiguelman, Giselle, ed. HTTPVideo, HTTPpix: Creative Processes and Criticism in Image Networks. São Paulo: Instituto Sergio Motta, 2010.
Telecommunication Networks: Economy, Ecology, Rule
2014
Cubitt, Sean. Telecommunication Networks: Economy, Ecology, Rule Theory, Culture and Society 31, no. 7/8 (2014): 185-199.
Neal White
Neal White works across media, and in no particular medium at all – creating projects with the Office of Experiments that develop collaborative, social and critical spaces using art methods and art materials. His work operates along the fine line
Das Internet und die Zukunft der Kunst: Immaterialität, Telematik, Videokonferenzen, Hypermedia, Networking, VRML, Interaktivität, Bildtelefone, Künstlersoftware, Telerobotik, Mbone und darüber hinaus
1997
Kac, Eduardo. Das Internet und die Zukunft der Kunst: Immaterialität, Telematik, Videokonferenzen, Hypermedia, Networking, VRML, Interaktivität, Bildtelefone, Künstlersoftware, Telerobotik, Mbone und darüber hinaus In Mythos Internet, edited by
Tele-Lectures
2002
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2009
Tele-Lectures - Netzspannung.org Streaming Service 2001-2004 has a wide range of video documentation of lectures by renowned artists and academics produced in collaboration with well-known partners from the fields of culture and science. Selected
The Exploit: A Theory of Networks
2007
Galloway, Alexander. The Exploit: A Theory of Networks. Minnesota: University of Minnesota Press, 2007.
History of Computer ArtVI. Net Art: Networks, Participation, Hypertext VI.3 Net Art in the Web
2012
Thomas Dreher. History of Computer Art VI. Net Art: Networks, Participation, Hypertext VI.3 Net Art in the Web http://iasl.uni-muenchen.de/links/GCA-VI.3e.html#HTML.
Art Futura 2009: From Virtual Reality to Social Networks
2009
Event: Art Futura 2009: From Virtual Reality to Social NetworksInstitution: Art FuturaComment:
Kwangju Biennale 2004
2004
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2004
"The Gwangju Biennale 2004 is a cultural forum that experiments with established cultural practices that are centered around the art specialist and cultural power, specifically, artist and curator. To subvert the existing hierarchy, we deploy new
Videoakt Bienal de Arte de los Nuevos Medios
2024
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2024
VIDEOAKT proposes the creation of spaces where technology and creativity converge to present a unique experience in our environment with a rich, diverse, and high-quality selection of works ranging from the reactive to the interactive and immersive.
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