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Still ALife is an interactive monitor reacting to the presence and the distance of the observer to produce continuously changing three dimensional abstract and organic growing forms. © 2005, Christa SOMMERER & Laurent MIGNONNEAU

Using pure data as a source for sound and visuals, datamatics combines abstract and mimetic presentations of matter, time and space in a powerful and breathtakingly accomplished work. datamatics is the second audiovisual concert in Ryoji Ikeda's

Notes on Preliminary Plan and Accompanying Images. • The public enter through a gently curved corridor allowing time for their eyes to adjust to the low light level and obscuring the view ahead of the Forest. • Choice of paths to give a

The genieBottles system presents a story that is told by three genies that live in glass bottles. When a bottle is opened, the genie contained inside is released and begins to talk to the user. If several genies are released at once, they converse

In "inter / face" Rokeby continues his exploration of the relationship between the abstract world of language and the physical world of body. The work uses the expressions on the viewer's face as an interface to a responsive virtual world built

"San Marco Flow" layers all the actions of people and pigeons on Piazza San Marco in Venice into a pair of evolving images representing two views of the recent history of activities there. The images are, in effect, lit by animate presence; things

Jerusalem 10 - 16 June 2009 Overview of Jerusalem Archaeological Park during the Festival of Light The golden dome on the left is Al Aqsa mosque. The other sides of the park in view are bounded by the walls of the old city. Abstract Cosmology

Computer generated large scale ink plots Indian Ink on Fabiano 300 gsm paper These works were produced using a large scale Interact IV flat bed plotter. A set of abstract images, each measuring 200 x 200 cms. The works were produced by

Landstream visualizes the flux produced by communication technologies, the invisible signals which cross through us, and of which we are, most of the time, completely unaware. A programme analyses the flux running through a space, and transforms the

In an arena of about 6m by 10m the artist puts a number of spinning tops in motion. He attempts to drive them as a kind of flock or lets them interact as a kind of self-sustaining system. They move in unpredictable ways, sometimes careful and