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New Tower of Babel
1993
... which the user can
free
ly rotate and move about...
Electric Dreams
2024
-
2025
Electric Dreams will bring together an international network of more than 70 artists working between the 1950s and the dawn of the internet age.Liquid Views 1992, an interactive installation by Monika Fleischmann and Wolfgang Strauss, will invite
Behind the Smart World – Artistic Remixing of a Global Data Breach
2019
Zingerle, Andreas and Kronman Linda. Behind the Smart World – Artistic Remixing of a Global Data Breach In THE CRITICAL MAKERS READER: COLLABORATIVE LEARNING WITH TECHNOLOGY, edited by Letizia Chiappini and Loes Bogers: Institute of Network
Andreas Zingerle
Andreas Zingerle is a media artist, designer, lecturer and researcher from Austria. He received his PhD from the University of Art and Design Linz (Austria) researching topics such as Internet crime, fraud and scam, vigilante counter-movements and
Placeworld
2000
video
PlaceWorld is an embodiment of a physical electronic landscape (eSCAPE) that explores the potentialities of a new interaction paradigm: augmented virtuality. It was developed as an eSCAPE demonstrator in partnership with the European ESPRIT i3
Human Genome re-Activation
2011
-
2011
video
... when I was 8 years
old
. The performance is about...
Τεχνητή Νοημοσύνη ή η Νέα Άλφαβιλ (artificial INTELLIGENCE or the New Alphaville)
2021
Santorineos Manthos. Τεχνητή Νοημοσύνη ή η Νέα Άλφαβιλ (artificial INTELLIGENCE or the New Alphaville). Vol.1. : Fournos Multivalent Communication Network, 2021.
Τεχνητή Νοημοσύνη ή η Νέα Άλφαβιλ (artificial INTELLIGENCE or the New Alphaville)
2021
Santorineos Manthos. Τεχνητή Νοημοσύνη ή η Νέα Άλφαβιλ (artificial INTELLIGENCE or the New Alphaville). Vol.1. : Fournos Multivalent Communication Network, 2021.
Fournos Multivalent Communication Network , Hellenic Ministry of Culture
More Than Us
2022
-
2022
Exploring climate prediction as a game of chance and of skill, More Than Us offers us a glimpse of the astronomically huge dataspace we exist in. Two communities of colourful geometric shapes drawn, or ‘recycled’, from Suprematist paintings of the
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