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  • make-A-move
    Paule Mackrous. make-A-move Agence TOPO , no. 1 (NOBEMBER 2015): 1.
  • Mirrors of the Unseen (MotU) #7, #8 -
    Light object Series 'Mirrors of the Unseen (MotU)' 'MotU #7' and 'MotU #8', from the series 'Mirrors of the Unseen', feature words and symbols that seem to float in the space like holograms, which observers can only perceive as afterimages using
  • Uršula Berlot: Fluidna topografija/Fluid Topography
    Plut, Jadranka. Uršula Berlot: Fluidna topografija/Fluid Topography Ljubljana Castle, Pentagonal Tower, 16. 9. – 2. 11. 2014. Ljubljana: DLUL (2014).
  • SECURITY IN OUR SOCIETY: WHAT REMAINS OF OUR PERSONAL FREEDOMS? -
    make-A-move is an interactive, video installation composed of two encased screens conceived for exhibition in public space. Two animated portraits - a female and a male - react to the movements of passersby and express passivity, suspicion,
  • make-A-move -
    The Montreal artist-run centre TOPO is a laboratory for digital writings and creations for web, performance, and installation spaces. Its mandate is to incubate, produce, and circulate original multimedia artworks that explore interdisciplinary and
  • Probleme der Neo-Moderne
    Weibel, Peter. Probleme der Neo-Moderne In Identität: Differenz. Tribüne Trigon 1940-1990. Eine Topographie der Moderne, edited by Peter Weibel and Christa Steinle, 3-29. Wien: Böhlau Verlag, 1992.
  • Die Topographie des Untergrunds
    Eiblmayr, Silvia. Die Topographie des Untergrunds In topographie II: Untergrund- Videoinstallationen in der Wiener U-Bahn, edited by Wiener FestwochenVienna: 1991.
  • Die Topographie des Untergrunds
    Eiblmayr, Silvia. Die Topographie des Untergrunds In topographie II: Untergrund- Videoinstallationen in der Wiener U-Bahn, edited by Wiener FestwochenVienna: 1991.
  • Topographie II: Untergrund -
    Event: Topographie II: UntergrundInstitution: Wiener FestwochenComment:
  • Curvature - video
    Robotic object, performance A 3D printing pen attached to a robot in motion produces random topographies out of plastic filament, set at regular intervals. The resulting spatiality oscillates between liability and dissolution. The work was conceived
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