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Shades of Virtuality : From Virtual Reality to Mixed Reality - From Beeing to Becoming
2019
Fleischmann, Monika and Wolfgang Strauss. Shades of Virtuality : From Virtual Reality to Mixed Reality - From Beeing to Becoming Virtualities and Realities Acoustic Space, no. 17 (May 2019): 51 - 57.
Shades of Virtuality : From Virtual Reality to Mixed Reality - From Beeing to Becoming
2019
Fleischmann, Monika and Wolfgang Strauss. Shades of Virtuality : From Virtual Reality to Mixed Reality - From Beeing to Becoming Virtualities and Realities Acoustic Space, no. 17 (May 2019): 51 - 57.
Shades of Synchresis: A Proposed Framework for the Classification of Audiovisual Relations in Sound-and-Light Media Installations.
2012
Basanta, Adam. Shades of Synchresis: A Proposed Framework for the Classification of Audiovisual Relations in Sound-and-Light Media Installations. In Electroacoustic Music Studies Conference 2012, edited by Electroacoustic Music Studies
AR Intervention into "NYC 1993"
2013
"Shades of Absence: Governing Bodies" was placed into the New Museum, NY, as an uninvited intervention in honor of the NEA residency during the exhibit "NYC 1993: Experimental Jet Set, Trash and No Star"
VANITAS – SELF-PORTRAIT
2012
... artist herself,
just
like
the visitors of... herself,
just
like
the visitors of her...
A Short History of the Shadow
1997
Stoichita, Victor. A Short History of the Shadow. London, UK: Reaktion Books, 1997.
Of Shadow & Light, 36p., English. World Wide Video Centre, Den Haag/NL
1993
Konrad Bitterli and James Minnis. Of Shadow & Light, 36p., English. World Wide Video Centre, Den Haag/NL. Berlin: Stop Over Press, 1993.
Light from Shadow
2003
-
2003
Event: Light from ShadowInstitution: Ivan Dougherty GalleryComment:
Lost in Space with Frankenstein's Shadow
2024
Olynyk, Patricia. Lost in Space with Frankenstein's Shadow In Bio/Matter/Techno/Synthetics, edited by Farrow Trubiano/Franca, 304. : Actar Press, 2024.
Nalini Malani
Malani's work is influenced by her experiences as a refugee of the Partition of India. She places inherited iconographies and cherished cultural stereotypes under pressure. Her point of view is unwaveringly urban and internationalist, and unsparing
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