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Beiguelman, Giselle. A coelhinha e a bioarte http://www.ekac.org/beiguelmanweb.html.

Bonet, Josée. Alba a posé un lapin à AvignonNumérique Vaucluse Matin (June 2000): 3.

Grau Oliver. Media Art needs Histories and Archives. New Perspectives for the Digital Humanities. In Arte e Technologia // Modus Operandi, edited by Maria Beatriz de Medeiros and Suzete Venturelli and Cleomar Rocha, 152-173. : lnstituto de Arte

Strauss Wolfgang and Monika Fleischmann. New Media Arts—The Thinking Space for Digitality In Creating Digitally. Intelligent Systems Reference Library, edited by Anthony BrooksVol.241. , pp. 1-32. : Springer, Cham., 2023.

Capucci, Pier Luigi. Le forme del vivente D'ARS , no. 163/164 (December 2000): 19-21.

Chayette, Sylvie. Quoi de neuf, Docteur? Un lapin transgénique interdit d'exposition à Avignon. Le Monde Interactif (June 2000).

Cook, Gareth. Cross hare: hop and glow Boston Globe (September 2000): A01.

Diez, René. Une décision scientifique pose un lapin à Avignon Midi Libre (June 2000): 8.

Eikmeyer, Robert.. "Eduardo Kac : Interview", published in the book Face/off – Body Fantasies. 1 th ed.Frankfurt: Keller, Christoph, 2004.

Gernemann-Paulsen, Andreas and Claudia Robles-Angel and Uwe Seifert. Web-Mindscape and REFLEXION – In Sync/Out of Sync – : Biofeedback and Physical Computing in Interactive New Media Art Proceedings EAI (2021).