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Magic Eye - Dissolving Borders 2010 - 2010 video

The project “Magic Eye-Dissolving Borders” is based on the dichotomy between a positivistic participatory communication artwork and the awareness that communication per se can be superfluous and vain. “Magic Eye-Dissolving Borders” aims to challenge
Arte virtual locativo. Transgresión del espacio con dispositivos móviles 2015

Schianchi, Alejandro. Arte virtual locativo. Transgresión del espacio con dispositivos móviles. : Arte x Arte, 2015.
low-fi net art locator
Season in Hell: Inauguration of Death 2005 - 2005

The nation's Capital has been transformed into a mighty walled fortress, armed to the teeth, locked-down, swept-clean - all joy has been strangled - on any suspicion, they would pounce with the stealth of a wild beast. (source:
Cardinal Directions 2010 video

"Cardinal Directions," 2010 Surveillance monitor, embedded computer, infrared sensors, robotic actuator, slip ring, stainless steel support, custom software, metal certificate 51.1" x 11.8" x 11.8" / 130 x 30 x 30 cm, free-standing sculpture edition
it feels like home 2021 - 2021

“It feels like home” is an online intervention that uses the synthetic space of the browser as a stage to unfold an interactive, performative and generative virtual experience. Experimenting with the notion of time during a pandemic and isolation,
Animal Locomotion 1999

Rhizome Artbase
Illegal Art and Other Stories 2013

Lodi, Simona. Illegal Art and Other Stories In Unlike Us Reader: Social Media Monopolies and their Alternatives, edited by Geert Lovink and Miriam Rash, 250-251. Amsterdam: Institute of Network Cultures, 2013.
European Network for Cinema and Media Studies (NECS) Conference, University of Lodz and University of Social Sciences and Humanities Warsaw 2015 - 2015

Keynote
DEAF 98: The Art of the Accident 1998 - 1998

In our world, accidents are an everyday part of reality. The things we produce have a tendency to malfunction as much as they are capable of functioning properly. We try to predict and control things; yet, we are often surprised by their creativity

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