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Dani Tomasini

Artist: Dani TomasiniComment:
Genetic Art and the Aesthetics of Biology 2002

Tomasula, Steve. Genetic Art and the Aesthetics of Biology Leonardo 35, no. 2 (April 2002): 137-144.
Kacs Zeitkapsel: Selbsteinkapselung 2000

Tomasula, Steve. Kacs Zeitkapsel: Selbsteinkapselung Kunstforum 151 (July-September 2000): 125-129.
On Sublime. Personal Experiment in Slovene Painting 2008

Brejc, Tomaž. On Sublime. Personal Experiment in Slovene Painting Art Words 85/86. Ljubljana: ZDSLU (2008).
Spiele des Lichts. Die Malerei Uršula Berlot 2005

Vignjević, Tomaž. Spiele des Lichts. Die Malerei Uršula Berlot V: KulturKontakt 01/2005. Dunaj: KulturKontakt (2005).
Slika 2000/Painting 2000 2000

Brejc, Tomaž. Slika 2000/Painting 2000 Equrna Gallery, 27. 6. – 5. 8. 2000. Ljubljana: Equrna Gallery (2000).
Grind Snaxe Blind Apes (A Study for Pomeroy's Tomb) 1997

Grind Snaxe Blind Apes (A Study for Pomeroy's Tomb)Artist: Paul DeMarinisComment:
Grind Snaxe Blind Apes 1997

A tomb made of cardboard packing boxes. Inside, a primate-lab cage and a mechanism. That moves a computer controlled monkey's paw and a light source that slowly draw the face of Jim Pomeroy (1946-1992) in phosphorescent pigment.
Eye Try: Slovene contemporary visual art in the Vision Centre Cork, European Cultural Capital 2005 (a catalogue of an exhibition) 2005

Kostić, Aleksandra (ed.) and Peter Tomaž (ed.) Dobrila. Eye Try: Slovene contemporary visual art in the Vision Centre Cork, European Cultural Capital 2005 (a catalogue of an exhibition) Tox, 10/12. Maribor: Association for Culture and Education
Electronic Cemetery 1996

Tomb on the Network. A project for a magazine "BRUTUS". A work as a curator of a imaginary museum. Actual museums are sometimes said to be cemeteries for art works, well then, what if I make a cemetery into a museum? Actual cemeteries always

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