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  • FutureEverything at Media Festival Arts FutureEverything is presenting a Lounge, Panel, Artwork and Online Forum at Media Festival Arts, 8-10 September, Roundhouse London. The FutureEverything Online Forum is live from 2nd September (12 noon) and
  • The net jargon acronym BWPWAP – Back When Pluto Was a Planet is an expression used whenever one wants to talk about things in our recent past that have changed quickly. On August 24th, 2006, at the closing ceremony of their general assembly, the
  • Goldberg, Ken and D. Song and Y. Khor and D. Pescovitz and Levandowski, A. and J. Himmelstein and J. et. al. Shih. Collaborative Online Teleoperation with Spatial Dynamic Voting and a Human ``Tele-Actor'' In EEE ICRA 2002, Washington, CD. May
  • Event: "Hortus 2.0" / Musée Louis Vouland / EDIS / Fonds de dotation à l’art des nouveaux médiasInstitution: The Wrong BiennaleComment:
  • Event: EDIS - Fonds de dotation à l’art des nouveaux médias / Musée Louis Vouland / "Hortus 2.0" / - Avignon (France)Institution: Ars Electronica Linz GmbH & Co KGComment:
  • Deux pièces datant du début des années 1980, parmi les toutes premières œuvres de Maurice Benayoun, s’articulent autour de la thématique historique du Carré blanc fond blanc de Kazimir Malevitch. L’artiste n’a alors pas encore exploité le
  • Rendez-Vous d'Imagina -
    Event: Rendez-Vous d'ImaginaInstitution: Carré SeitaComment:
  • Voyage -
    It takes at least ten years for an idea to go from first appearance in the laboratoy through translation into the consumer world. Voyage is an image signifying the acceleration of this ten year gestation. It is the symbolic description of the
  • Aunt Sally
    In 2012, Philippe Blanchard and Pierre Jolivet made another voyage to Middle East and found themselves in Beirut by the invitation of Sharif Sehnaoui, well known experimental guitarist, composer and contemporary artist who brought the art of noises
  • Cox, Donna. What Can an Artist Do for Science: "Cosmic Voyage" IMAX Film In Art@Science, edited by Christa Sommerer and Laurent Mignonneau, 53-59. Wien, New York: Springer, 1998.