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  • An Ascent
    video, 7,08’ By mixing colourful abstract light patterns and fragments of figurative reality the video aims to visualize a kind of inner psychological landscape, where words, thoughts, memories, emotions and desires combine and coexist in a highly
  • Fragments for Georges Méliès, Black Box / Chambre Noir -
    Event: Fragments for Georges Méliès, Black Box / Chambre NoirInstitution: Moderna MuseetComment:
  • Fragments d’un paysage mythologique
    Event: Fragments d’un paysage mythologiqueInstitution: Abbey of FontevraudComment:
  • Another aircraft
    video, 4.22' The video takes the viewer on an imaginary fantasy journey. Fragments of figures dissolve and mesh with abstract patterns in motion, simulating the body’s inner dynamics, from the corporeal – like the structure of blood vessels – to
  • Aromapoetry
    "Every poem in the book Aromapoetry employs nanotechnology by binding an extremely thin layer of porous glass (200 nanometers thick) to every page, trapping the odorants (i.e. the volatile molecules) and releasing them very slowly. Without this
  • PARADOXIEN DES ÖFFENTLICHEN
    Mit Vorträgen und Werkstätten unternimmt das Forum eine kritische Revision des öffentlichen Raums und fragt nach neuen Räumen für die Kunst. Monika Fleischmann, Leiterin der eCulture Factory, wird als Moderatorin an dieser Veranstaltung beteiligt
  • Treshold Experiences, Incendiary Bodies and Frail Machines
    Morse, Margaret. Treshold Experiences, Incendiary Bodies and Frail Machines In Jim Campbell: Transforming Time: Electronic Works: 1990-1999, , 33-34. Tempe, Arizona: Arizona State University Art Museum, 1999.
  • Experimentelle Untersuchung Fraktaler Strukturen im Virtuallen Raum, Plato's dream -
    Virtual Reality Installation with HMD EyePhone and DataGlove. Developed at ART+COM, Berlin, Germany.
  • Videowelt und Fraktales Subjekt
    Baudrillard, Jean. Videowelt und Fraktales Subjekt In Aisthesis. Wahrnehmung heute oder Perspektiven einer anderen Ästhetik, edited by Karlheinz Barck, 252-264. Leipzig: Reclam, 1991.
  • Corrida - Logique de la Perception video
    The event took place in two adjacent rooms. In the first Shusaku gave a Buto performance on the edge of a raised circular steel construction within which the image of a black bull was painted on the white floor. A video camera pointed at this
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