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  • Philosophical Content and Method of Artificial Life
    Bedau, Mark A.. Philosophical Content and Method of Artificial Life In The Digital Phoenix: How Computers are Changing Philosophy, edited by Terrell Ward Bynam and James H. Moor, 135-152. Oxford: Basil Blackwell, 1998.
  • Philippe Pasquier
    Artist: Philippe PasquierComment:
  • Philip Beesley
    Philip Beesley is a professor in the School of Architecture at the University of Waterloo. A practitioner of architecture and digital media art, he was educated in visual art at Queen’s University, in technology at Humber College, and in architecture...
  • Philadelphia Museum of Modern Art
  • Philadelphia Museum of Art
  • Phenomenological Traits in Polish Film Studies
    Kluszczyński, Ryszard W.. Phenomenological Traits in Polish Film Studies Polish Art Studies IX (1988): 259-273.
  • Phenakisti-scopes of Light -
    Inside sixteen flowerpots placed in a dark room, motors run to rotate transparent disks. A viewer peeking into a flowerpot will find an animation of the images printed on the transparent disk, illuminated by the switching of small white LED, and...
  • PhD in Art vs PhD Art, case study the Dump: defending a blog à la Sorbonne
    Event: PhD in Art vs PhD Art, case study the Dump: defending a blog à la SorbonneInstitution: Kunst UniversitätComment:
  • Phantom Waves
    The November 1973 issue of Scientific American featured an article titled “The Recognition of Faces” by Bell Labs researcher Leon Harmon that explained how we perceive pixelated digital photographic images. Using a low-resolution, portrait of Lincoln...
  • Phantom Waves
    Legrady, George. Phantom Waves https://www.mat.ucsb.edu/~g.legrady/glWeb/Projects/pw/phantom_waves.pdf.
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