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Welcome to Bill Vorn´s Apocalyptic World of Bedlam
2001
Martin, James. Welcome to Bill Vorn´s Apocalyptic World of Bedlam .
Post-Apocalyptic Citizenship and Humanitarian Hardware
2013
Kera Denisa. Post-Apocalyptic Citizenship and Humanitarian Hardware In Nuclear Disaster at Fukushima Daiichi, edited by Richard HindmarshRoutledge Studies in Science, Technology and Society, , 222. London, Great Britain: Routledge, 2013.
The Apocalyptic Sensibility: The New Media Art from Taiwan
2015
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2015
Event: The Apocalyptic Sensibility: The New Media Art from TaiwanInstitution: Taipei Fine Arts Museum (TFAM)Comment:
Ciberarte e criatividade: glossário e data mining como sistema vivo de apoio à aprendizagem
2019
DOMINGUES, DIANA MARIA G and M MORENO. Ciberarte e criatividade: glossário e data mining como sistema vivo de apoio à aprendizagem In Artes: criatividade e tecnologias, edited by DIANA MARIA G DOMINGUES and M MorenoVol.1. 1, , 320-331. Chapecó:
Apollo 13
Apollo 13Artist: Roy AscottComment:
Lagoogleglyph IV at Viva Citá
2018
Event: Lagoogleglyph IV at Viva CitáInstitution: Apollonia – European Art ExchangesComment:
Apoptosis
2011
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2011
Event: ApoptosisInstitution: Verbeke MuseumComment:
Life Spacies
1997
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1997
video
"Life Spacies" is an interaction and communication space, where remotely located visitors can interact with each other through evolutionary forms and images. "Life Spacies" enables visitors to integrate themselves into a 3 dimensional complex
Éphémère
1998
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1998
video
Ephémère is iconography evolved through Davies' long-standing practice as a painter, and, as in Osmose, is grounded in 'nature' as metaphor: archetypal elements of root, rock, and stream etc. recur throughout. In Ephémère however,
Disillusionary Homage to Clovis Trouille
1966
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1966
Slides of Clovis Trouille's paintings were projected over the buttocks of a replica of the leading lady in "Mes funérailles" (1940) and also onto a paper projection screen which was torn open by inflatable tubing during the performance. At the
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