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CURRENTS NEW MEDIA 2017
2017
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2017
Event: CURRENTS NEW MEDIA 2017Institution: El Museo CulturalComment:
Currents New Media Festival
2016
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2016
Event: Currents New Media FestivalInstitution: CURRENTS: SANTA FE INTERNATIONAL NEW MEDIA FESTIVALComment:
GLOBALE: Without Firm Ground – Vilém Flusser and the Arts
2015
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2015
“Synthetic images as an answer to Auschwitz” (“We Shall Survive in the Memory of Others”)1 asserted Vilém Flusser (1920–1991) forcefully in an interview shortly before his death. Only by passing through radical abstraction could a new
transmedia '97
1997
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1997
The festival focused again on multimedia, innovative television and video. In 1997, the festival also integrated technological developments and philosophical discourses relevant to these media realms into the programme: brain research,
ISEA2015-DISRUPTIONS
2015
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2015
21st International Symposium on Electronic Art, august 14th - 19th, 2015. ISEA2015’s theme of DISRUPTION invites a conversation about the aesthetics of change, renewal, and game-changing paradigms. We look to raw bursts of energy, reconciliation,
[in time time]
2008
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2008
[in time time] is an installation involving large digital prints and two new media works: a split-screen video titled [8-bits], and a context aware, interactive installation titled [ping-pong-flow]. The pieces are bound together by their related
VARIATION ArtJaws media art exhibition and fair
2014
http://www.artjaws.com/en/variation-artjaws-media-art-fair/
VARIATION MEDIA ART FAIR 2017
2017
Event: VARIATION MEDIA ART FAIR 2017Institution: ArtJawsComment:
Media Arts and Technology Seminar
2018
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2018
Andres Burbano is currently Associate Professor in the Department of Design at Universidad de los Andes in Bogota, Colombia. Burbano holds a Ph.D. in Media Arts and Technology from the University of California Santa Barbara where he wrote a
Re:Trace - 7th Conference for the Histories of Media Art, Science and Technology
2017
Event: Re:Trace - 7th Conference for the Histories of Media Art, Science and TechnologyInstitution: Society for the Histories of Media Art, Science and TechnologyComment:
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