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Drama House
2009
“Drama house” is a house when the simple ring at the doorbell can have unpredictable consequences; event, one is stranger then another and in the same time all, what happens with habitants belongs to everyday life. Sometimes these circumstances are
Panorama de Arte e Tecnologia do Brasil
2002
Machado, Arlindo and Silvia Laurenitz and Fernando Iazzetta. Panorama de Arte e Tecnologia do Brasil http://www.itaucultural.org.br.
Peter Broadwell
Peter grew up around the world, studied math, and liked to build things. Using math to make pictures led him to computers, which led to trying to “get the darn things to generate pretty images easily”. Still striving for that goal, with a day job at
CNN INTERACTIVE JUST
2001
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2001
A specially commissioned gallery installation for, Art & money Online held at Tate, Britain in March 2001 and curated by Julian Stallabrass -based on our webwork http://www.cnnextra.net In CNN Interactive just got more interactive artists Jon
Personal Ambient Display
1998
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1999
Personal Ambient Displays are small, physical devices worn to display information to a person in a subtle, persistent, and private manner. They can be small enough to be carried in a pocket, worn as a watch, or even adorned like jewelry. In our
Solitary
1992
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1992
An interactive digital video projection installation 1 interactive video projection, black and white, silent 8 x 12 x 6 metres The piece is based on the texts of the late Roman philosopher Boethius, and deals with the fluid and ultimately
Phoxel Space
2002
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2003
Phoxel-Space is an interface to enable the exploration of voxel data through the use of physical models and materials. Our goal is to improve the means to intuitively navigate and understand complex 3-dimensional datasets. The system works by
The Practice Of Everyday (Media) Life
2008
Manovich, Lev. The Practice Of Everyday (Media) Life http://manovich.net/index.php/projects/the-practice-of-everyday-media-life.
Alan Kay’s Universal Media Machine
2006
Manovich, Lev. Alan Kay’s Universal Media Machine http://manovich.net/index.php/projects/alan-kay-s-universal-media-machine.
Mori
1999
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1999
In Mori, the immediacy of the telematic embrace between earth and visitor questions the authenticity of mediated experience in the context of chance, human fragility, and geological endurance. Mori engages the earth as a living medium. Minute
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