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  • The Big Questions
    Benayoun, Maurice. The Big Questions .
  • Eight Questions (and Answers) about Machinima
    Nideffer, Robert. Eight Questions (and Answers) about Machinima Journal of Visual Culture 10, no. 1 (April 2011): 66-73.
  • The Questions: Jodi
    Jacob Lillemose. The Questions: Jodi http://www.kunstkritikk.no/nyheter/modified-software/ [Kunstkritikk, June 2015].
  • Three Questions: A Holy Trinity or Three Blind Mice
    Anker, Suzanne. Three Questions: A Holy Trinity or Three Blind Mice Institutional Critique to Hospitality: Bio Art Practice Now (May 2017): 37-50.
  • Mirrors of the Unseen (MotU) #7, #8 -
    Light object Series 'Mirrors of the Unseen (MotU)' 'MotU #7' and 'MotU #8', from the series 'Mirrors of the Unseen', feature words and symbols that seem to float in the space like holograms, which observers can only perceive as afterimages using
  • William Kentridge -
    Though William Kentridge is one of the most compelling interdisciplinary artists of our time, five years ago he was largely unknown outside of Johannesburg, South Africa, where he was born in 1955 and continues to live today. There were many reasons
  • Des Grandes Questions à la Décharge -
    Event: Des Grandes Questions à la DéchargeInstitution: Galerie des Beaux ArtsComment:
  • Laboratory Life
    Laboratory Life (For Oryx and Crake) is a series of over-layered photographs taken at scientific laboratories in Europe ( the European Molecular Biology Laboratory (EMBL) in Rome, the Max Planck Institute in Dresden, and a biophysics lab at Imperial
  • Mirrors of the Unseen -
    Site specific ceiling drawing Regional hospital Hohenems (A), competition The work 'Mirrors of the Unseen' for the regional hospital Hohenems deals with technically generated images, with questions of translatability and the interpretation of
  • Quotes -
    Print on circuit board The 'Quotes' series brings forward questions regarding research ethics and responsibility in science. Landscape format PCB blanks become image carriers; their motifs and quotations, composed in monochrome black or white, had
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